Forgot your username or password?
Recognized for setting the highest standards for communicating corporate interests and championing design as a strategic, multidisciplinary function for both firm and client.
Dana Arnett grew up in a Midwestern town that, like his own identity, was defined as much by its modesty as its wide open expanses. As a child, he loved to
draw and paint, and he vividly remembers the first time he saw “commercial art,” in the pages of Communication Arts at a local art-supply store.
He soon became enthralled with the work of Paul Rand, Bart Forbes, Saul Bass and legendary ad man Helmut Krone.
After high school, Arnett headed to Northern Illinois University to study visual communications. In his sophomore year, he was asked to leave the program
after the faculty rejected his portfolio, taking issue with his contrarian view and love for experimentation. A week later, a group of esteemed designers
from Chicago awarded his work best of show in the university’s student design competition. By then, Arnett had already declared a new interdisciplinary
major, “comprehensive design.” In retrospect, he admits this was a blessing in disguise: The more expansive degree allowed him to take risks and develop a
broader approach to design, something that would pay off years later.
At a campus lecture the following year, Arnett had his first fortuitous encounter with visionary design entrepreneur and strategist Robert (Bob) Vogele. It
was the beginning of what Arnett has described as “a three- or four-year conversation that Bob was open to having whenever I was in Chicago.” Through these
encounters, Vogele recognized untapped passion and leadership qualities in the young Arnett, so when he conceived the idea of a next-generation design
agency during the early 1980s, he brought Arnett in to help create and lead the now-venerable VSA Partners.
In the early years, designing annual reports was bread-and-butter work, and the Chicago-based VSA was leading the pack. “That work challenged every skill
Dana hungered for as a designer, addressing investor interests, creating the right brand expression and interacting directly with the CEO,” Vogele recalls.
VSA, with Arnett as its art director and emerging leader, was not only winning awards for its annual-report designs, but also gaining recognition as an
agency of innovative design thinkers.
Arnett harnessed and drove Vogele’s business vision, which for its day was revolutionary—making design a strategic, multidisciplinary function for both the
firm and the clients it served. VSA began leveraging its expertise in research, writing and business strategy to sustain long-term relationships with
blue-chip companies like IBM, which has been with the firm since 1993.
Today, VSA Partners has evolved into a leading brand agency with a broad spectrum of capabilities—consumer and B2B branding, product and service
development, end-to-end digital development and a strategy practice that includes data science and predictive modeling. Under Arnett’s leadership, the VSA
team—now 300 associates—continues to leverage design as a key driver of business success for clients such as Kraft and Google. Perhaps it’s only natural
that as the CEO, Arnett, like Vogele before him, now devotes as much time to designing the organization as designing work for clients. As Arnett says, “The
trick is building a human-capital business where people can thrive, not just survive.” History would lead us to believe that VSA will evolve and thrive
long after he walks away.
Arnett is a member of the Alliance Graphique Internationale and a former adjunct professor at the University of Illinois at Chicago. He has served on the
boards of both AIGA (2001–2004) and the Society of Typographic Arts, and he is currently on the board of the Architecture and Design Society at the Art
Institute of Chicago.
Dana Arnett will be presented with the AIGA Medal at The AIGA Centennial Gala on April 25, 2014, in New York City.
AIGA’s design community will gather in New York City for “The AIGA Centennial Gala,” a celebration honoring the 2014 AIGA Medalists and supporting national design initiatives.
The distinguished AIGA Medal is awarded to individuals in recognition of their exceptional achievements in the field of design.
Section: Inspiration -
After a chance meeting with Milton Glaser grew into a mentorship that saved her career (and her life), Ann Willoughby of Willoughby Design pays it forward by being an advocate for emerging young designers.
Section: Inspiration -
graphic design, Celebration, job search, motivation, personal essay
Does idle drifting online encourage random pursuits or return valuable information? Caplan lets one thing lead to another from the Pro-Am Revolution to The Sopranos to the state of "profession."
Section: Inspiration -
professional development, Voice, ethics
Earlier this year, several board committees were formed to ensure that AIGA is launching its second century as a “sound, accountable, focused and relevant organization.” Read the update from two committees that examined the way AIGA is governed and organized, and whether financial practices are adequate for oversight and accountability.
Section: About AIGA -
AIGA Insight, governance, AIGA news
When it comes to design, most companies have at some point found themselves at a crossroads, choosing between doing work in-house or hiring an agency. The more important design becomes to business, the more businesses are inclined to try their hand at developing in-house talent. This presents a challenge for agencies. As the work shifts, how do we shift accordingly? And what would the goals of such a shift entail?
Section: Why Design -
in-house design, digital media, business strategy, partnerships, problem solving, strategy, technology, business plans, new business development, studio management
Is graphic design still a hothouse for experimentation? McCoy suggests there is more going on today, but the venues and media have changed—for the better.
Section: Inspiration -
history, interview, Voice
Christian Dior temporary store
How Saul Bass convinced AIGA president @SeanAAdams to keep devoting his time to design: http://t.co/NB2IUyiRLU http://t.co/T7bhM1T6RY
An hour ago
Justen Renyer Design
The Signs of Italy: Grafica della Strada: Louise Fili's decades-strong obsession with the country's diverse typography compiled in a fascinating photo book
Posted by Hans Aschim
Some of the Best Designed Offices in the World
Posted by behanceteam
20th Macao Arts Festival
Chong Ip HongVictor Hugo Marreiros
William Drenttel and Jessica Helfand
aigajax (AIGA Jacksonville)
RT @varick: Laughing it up with @cmykaren @averagejim @russelq at @aigajax Local Board Retreat! #aigaconnect http://t.co/4tM0aMpnBp
3 days ago