How do businesses balance crowd participation and design?
Gap, a corporation that has been a strong player and force in a
business that relies on design and trends, recently found itself
caught between a commitment to effective design processes and the
dynamics of a powerful trend, social media and participatory
design. This was a highly visible dilemma that Gap management
ultimately navigated well, yet it offers simply an early example of
challenges that many will face in the years ahead.
On October 4, Gap quietly introduced a redesigned identity; in
this era of instant communication and social media, there was a
quick and broad reaction, much of it critical, based on design
perspective, nostalgia and/or loyalty. Gap sought to engage its
public with a call on Facebook for customers to share their own
designs, with a commitment to crowdsource a solution; on October 8,
Gap North America president Marka Hansen annouced her support for
these crowdsourcing measures in an op-ed on
The Huffington Post. (For more background on this story you
will find articles on sites such as Fast Company, Advertising
Age, Forbes and NPR.)
Immediately after the Facebook announcement, AIGA sent an email
(reprinted here) to several management
representatives at Gap whom we urged to consider our counsel.
Beginning on October 8, AIGA was in touch with the team at Gap that
was seeking ways to resolve what had become a tempest, explaining
the issue from the perspective of both the professional design
community and in terms of gaining effective design.
AIGA sought to point out that design of an identity or brand
should be informed by public perceptions of a brand's strength and
qualities; yet the design itself requires a deeper relationship
with a client to understand context, vision, values and strategy of
the client. Asking the public to design a mark eliminates the
process of designing that is most likely to serve the client.
On October 11,
Hansen announced that the company would stick with its earlier
logo due to the considerable feedback received from customers and
the public. This also allows Gap to step back from a process of
crowdsourcing a new design that could have put at risk Gap's
long-time commitment to strong, effective and consistent
communication design.
The decision by Gap was made for many reasons, undoubtedly, yet
we hope that AIGA helped to inform the deliberations in a manner
that will leave a lasting, positive impact.
We recognize that the dynamics of co-creation, participatory
design and audience participation are powerful social changes that
corporations cannot ignore. AIGA's role, and the profession's, must
be to provide a constructive voice that illuminates the value of
professional, experienced designers, particularly in developing
design solutions that respect client goals, customer interests and
social context. We cannot simply say that the current social
dynamics are wrong. We believe AIGA's voice is best used by saying
what we as designers can do, and not simply what others should not
do.
As always, we welcome your thoughts on this matter.
October 7, 2010 letter to
Gap:
As the executive director of the largest professional
association of designers in the United States, and the organization
frequently most concerned with professional ethical
standards, I would urge you to pause in moving ahead with
crowdsourcing design of your logo, a course you announced on
Facebook.
The online reaction to your new logo was initially
disappointment in the design of the logo. If you seek to
crowdsource a new solution, you will encounter a second storm that
you are already seeing appear in the blogosphere about the
disrespect that crowdsourcing or "spec work" demonstrates toward
the professional design community. And you will not gain the
thoughtful, purposeful response to your logo challenge that you
deserve.
When you ask designers, or anyone else, to submit
designs without compensation and without a relationship that allows
you the advantage of engaging the designer in your vision, strategy
and positioning, it is considered within the design profession as
speculative work or "spec work." AIGA has a clear position on spec
work, on behalf of its membership, and this position mirrors
global professional standards within the design community:
Clients and designers who
knowingly engage in spec work share an equal responsibility to
understand the potential risks and rewards:
Clients risk compromised
quality as little time, energy and thought can go into speculative
work, which precludes the most important element of most design
projects—the research, thoughtful consideration of alternatives,
and development and testing of prototype designs
Designers are taken
advantage of as clients see this as a way to get free work; it
diminishes the true economic value of the contribution designers
make toward client's objectives.
There are legal risks for
both parties should aspects of intellectual property, trademark and
trade-dress infringements become a factor.
If you crowdsource your logo design, you would
demonstrate a disrespect for the professional design community and
the value of creative property; compromise your likelihood of an
effective outcome that meets all of your needs; and undoubtedly
perpetuate a cacophony of critical voices in the blogosphere.
Designers are influentials in the social community, including on
style; it seems this is a community that you should listen to and
respect, not demean. If your proposal to crowdsource a redesign was
an effort to be more open to commentary, then we would recommend
that you define it more narrowly as an effort to obtain
perspective, but not design.
The web offers a valuable source of feedback from the
public. You ought to take full advantage of that feedback and work
with a professional designer to solve the communications challenge
of your evolving identity. We would be happy to talk with you about
the ways this can be accomplished that would address your
needs.
Sincerely,
Richard Grefé
Executive director
AIGA | the professional association for design
About the Author: Richard Grefé is the executive director of AIGA, the professional association for design. While guiding all of AIGA’s activities, his most significant contributions are in strategy, formulating new initiatives to enhance the competitive success of designers
and advocating the value of design to business, government and the public.