102 Hours, a book created by Tank Design Inc. of Cambridge, Massachusetts, retells the story of last year’s Boston Marathon bombing purely through iconography.
The idea for an iconographic approach was born in the days immediately following the bombing, a time that was at once tragic, mesmerizing and confusing.
How do we, as designers, make sense of it all? How do we rationalize a response from the local and federal government that was unlike anything Boston had
seen before? How do we make sense of all the media coverage? How do we cope?
Designers pride themselves on simplifying expression and messaging to its very core. Andrew Smiles, creative director at Tank, asked his team, “How do we
create clarity around this chaotic sequence of events...and make it easy for people to follow?” Out of that question came a design challenge: strip the
story to its essence—tell it with iconography. Even with icons, there was no question that this story would touch upon profound themes like heroism and
violence, perseverance and privacy. We wanted to create an account that was honest, visually rich and emotionally engaging.
The exercise began with a timeline. Once established, this timeline was used as a backdrop for image research and mood boards. Filled with photographs of
the events, quotations and inspiring elements that communicated similar concepts, these boards were used as the foundation for the icons.
The icons evolved simultaneously. Every time a resonant icon was created, those that were deemed successes previously were refined to match the new
aesthetic. This period of evolution and refinement lasted nine months, right up until the book went to print.
But simply creating a book in remembrance of those troubling days in April 2013 doesn’t guarantee anything will change. The Tank team wanted to use this
project to contribute something more profound, something that could encourage real change—a design education.
There are plenty of ways to build a stronger community, but as designers, writers and marketers, Tank believes they can have the most impact by mentoring
and teaching others. With that in mind, the Tank team decided to sell 102 Hours and donate profits to Youth Design, a Boston-based nonprofit organization that mentors high school students using art and design as a medium of expression.
Looking for additional ways to design for good? This list of organizations and programs is a great place to start. There are many more opportunities out there—so if you know of a resource we should add here let us know!
Design for Good
This workshop is a collaboration between AIGA San Francisco and City Studio, and aims to expose minority youth (13-19 years of age) to the field of design. The workshop features a brief lecture and a day-long hands-on exercise rooted on the design process.
Section: Why Design -
diversity, Design for Good, Diversity and Inclusion
@thethumbprint @AdobeSummit Will these glowing reviews sway you? ??Hope to see you at #AIGAdesign in Vegas https://t.co/7Uo5Z0MnCp
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AIGA_Nebraska (AIGA Nebraska)
Reserve a spot now for the 2016 #AIGADesign Conference and double down on inspiration and stimulation in #SinCity. https://t.co/yrGJcppsc0
roomeezon (Imran Hafeez Panhwar)
RT @matthewmunoz: The roles designers are playing from anixterjulie at #howlive #aigadesign #innovation @ Georgia… https://t.co/bUsGvvgDba
4 days ago
matthewmunoz (Matthew Munoz)
The roles designers are playing from anixterjulie at #howlive #aigadesign #innovation @ Georgia… https://t.co/bUsGvvgDba
Founders of digital agency Lifeblood had their DNA analysed for design inspiration
Posted by Jenny Brewer
7 days ago from
It's Nice That
The L!brary Initiative