though I’m a designer and design educator who is always surrounded by Apple
computers, I’m truly surprised by my feelings of genuine sadness after learning
about the death of Steve Jobs, CEO of Apple and Pixar.
been trying to tell myself that it’s ridiculous and embarrassing to have these
bizarre emotions about Steve, and that I didn’t think I was truly one of those
Kool-Aid–drinking Mac “Fan-Boys” that camp outside the Apple store or live blog
the Macworld keynote presentations. I hadn’t met him and I’ve heard that
working with him could be challenging at times. He was just a distant CEO of a
giant company (the world’s most valuable), and I have never been emotional
about any “celebrity” or corporate officer passing away. Any death is sad, of
course, but why am I actually in a funk on a personal level about the death of
this man I didn’t know?
I can talk it through... I work in a university art department. I teach in a
computer lab. I also do client-based and personal design work. There may not be
many more Apple–centric experiences than that which I have in this shiny silver
and glossy white environment. The faculty computers are all Macs, some students
have Apple laptops and walk around with all vintages of iPhones, my computer
lab is full of Mac Pro computers, and, increasingly, when I visit someone in
math or engineering, they’re also working on a Mac or giving a presentation on
an iPad. Still, it’s just a bunch of geeky gadgets on which we spent a lot of
money to use to make book trailers, layouts and write HTML markup, so why the
strange emotions? Big deal, I tell myself, it was just the CEO that died. My computer will still turn on, and
iTunes will still play Massive Attack and Ella.
But it is a big deal.
I open up my MacBook Pro each day, I am excited about doing my work. When I’m
happily working, I am enjoying my career, and when I’m enjoying my career, I’m
loving life even more. I love typography and the choosing of typefaces to
employ in motion designs and web sites, and I love the way that the Mac
presents these type families to me so smoothly and accurately everywhere,
including web fonts in Safari and the various web browsers. I love being able
to swipe various numbers of fingers across the computer’s track pad in various
directions, allowing me to quickly move through various stacks of programs,
windows and palettes. And, let’s be honest, I love opening up my MacBook Pro in
a coffee shop because I know that I’m pridefully broadcasting to people that I
work in a creative field. Not so much wanting to show that I have a
seeming-high-value, swanky computer, but that this computer is known as being
one traditionally used more by artists, and sometimes I love feeling like a
Steve Jobs wasn’t perfect, and no machine is perfect, including Apple products.
I, too, get upset when I can’t find the right adapter to plug someone’s MacBook
Pro into a digital projector or attempt to get a PowerPoint file to work on its
way to or from a Windows computer. But I continue to tell my students to buy
Apple computers because, ever since Steve dropped out of college and dropped
into that calligraphy class at Reed College, some strange, motivating force of
creativity seems to flow from the user, in through the track pads and magic
mice and out through the polished and incredibly user-friendly interface, and
this makes working on projects fun and fulfilling. Steve’s passion for these
machines, combined with teams of the highest quality engineers and designers,
makes them a pure pleasure to work on. Apple, like art, would make a really bad
religion, but somehow knowing that all the creatives around the world also love
their Macintosh experience must have something to do with the excitement of
busting out a mobile app wireframe in Adobe Illustrator or skinning a 3-D model
in Cinema 4D. Without getting too creepy (too late?), it’s like being part of a
giant, global creative team, and it helped knowing that we had a steady hand at
can do for my students is repeat some of the words of Steve’s famous
commencement address at Stanford University in 2005: “Your work is going to
fill a large part of your life, and the only way to be truly satisfied is to do
what you believe is great work. And the only way to do great work is to love
what you do.” And maybe that’s why I feel sadness over the loss of Steve Jobs.
His passion put into these machines, as well as what he has emphatically kept
out of them, has helped me, as a creative professional and teacher, love what I
do, and my career is a big part of my life. So, thanks to Steve Jobs and the
Apple team, and here’s to many more years of helping work be fun.
The design profession has been forever changed by both the tools that Steve Jobs developed and the corporate philosophy that he embraced. Share your thoughts on his impact on you.
Section: Inspiration -
In memoriam, design educators, students
Is it OK to be superficial? Cook argues that while aesthetics might not be considered a valid metric for measuring design’s success, beauty matters.
Section: Inspiration -
Voice, graphic design, packaging, product design, metrics of effectiveness
Design improves lives, so why not apply that principle to satisfying a most basic human need? Neylan shows some love for the Form 3 vibrator, designed by Yves Béhar.
Section: Inspiration -
Voice, packaging, product design, advice
How and why credibility-based logo work. How to plan and create not only successful logos but learn the process for client acceptance. Teachings from Saul Bass.
Section: Tools and Resources
Chicago Illustrator Clay Hickson’s “Anti-Style”
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