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Welcome to the newly redesigned website of AIGA, the professional association for design.
The online presence of the largest membership organization for designers must represent the potential of design to inspire, improve lives and create value for business, government and society. It must also give members a voice—because without you there would be no AIGA.
With those objectives in mind we present a website that is visually dynamic, offering storytelling experiences both long and short, and numerous opportunities for participation. It’s a place to be stimulated by the work designers are creating, while serving as a trusted resource for authoritative information relevant to the practice of design today and the legacy of its most influential and inspiring practitioners.
The emphasis is on great work, community and communicating the value of design.
Some of the most compelling new features include:
A website redesign is never entered into lightly, so in January 2010 AIGA began working with the design firm Method, evaluating and envisioning what the website of AIGA could and should be. Through member surveys and interviews with key stakeholders—which informed the mandate for 2014 and prompted “One Day for Design”— we knew it was time to make a significant shift in our online presence.
The previous site, designed for us by Happy Cog, was brilliant in its ability to meet the best web standards for accessibility and navigability, and to present AIGA-authored content to the world. Now, it is imperative that a diversity of voices speaks through the site, to communicate what AIGA stands for and what qualifies as great design.
With Method’s visual design and content strategy, AIGA.org reflects the community of design. The attributes that people have come to expect and value will remain—we will provide authoritative resources and thoughtful writing about design from trusted voices—but you will also hear more often from members and chapters. The site is now much more visual and vibrant with more opportunities for personalization and interaction.
We built the framework, but what the site needs now is you.
Members, we hope you’ll begin by updating your profile so others can find and recognize you. Please let us know if you run into any issues—since no relaunch happens without a hitch—so we can work together to correct them.
And for all other readers—whether you work with designers, hire designers, or simply appreciate design—we’re glad you’re here. We hope you will enjoy this site as much as we enjoy bringing it to you, and we look forward to getting to know you along the way.
Richard Grefé is the executive director of AIGA, the professional association for design. While guiding all of AIGA’s activities, his most significant contributions are in strategy, formulating new initiatives to enhance the competitive success of designers
and advocating the value of design to business, government and the public.
NEW YORK—August 5, 2014. Yathrib Ragsdale mentors minority, first generation, college bound students. Myles Thompson educates his college campus about African American art and culture. And
Kawing Ng manages a Meetup group called VolunteerNY to bring together people who share a common goal of giving back to the community. These talented and dedicated students are among 14 recipients of the 2014–2015 Worldstudio AIGA Scholarships, awarded each year to art and design college students who demonstrate a commitment to social responsibility.
NEW YORK—July 1, 2014. Today five board members and a new presidents council representative join the national board of directors
for AIGA, the professional association for design, following a national
search. Ken Carbone, John Luu, Christopher Simmons, Jill Spaeth, Paul Wharton and Elysia Syriac join the national board, and Su Mathews Hale has been elected to the president-elect position.
After much discussion throughout the entire design community, the national board
approved the sale of AIGA’s building in New York City. At this pivotal point in our history, the board
adopted a revised strategic framework which articulates four strategic focuses for the organization and outlines the process and timeline for funding decisions.
Section: About AIGA -
AIGA Insight, governance, AIGA news
Ronald L. Munar
AIGA Las Vegas
Member since 2013
"Do Not Open It," Erik Marinovich's Beautifully Hand-Drawn Letter
August 27, 2014
AIGA New York
Emily E. Burcope
Travis K. Wagner
Chelsi M. Berry
AIGA South Dakota
Jamie M. Sewall
Nicole S. Lindblom
Mark A. Stuenkel
AIGA San Francisco
Hannah J. McGrath
Why don't we see more diversity among tourists at National Parks? Scott Kirkwood digs a little deeper @HOWbrand http://t.co/YO06YEz2wi
4 hours ago
Thank you, Monoskop, for archiving a treasure trove of #avantgarde and #modernist magazines.… http://t.co/AV56mE1w0j
6 hours ago
Gorgeous identity #design for Play Optics by Lily Clark #branding #graphicdesign c/o @Behance http://t.co/XkNcvnKPhD
7 hours ago
AIGA CO Board Retreat ’14
August 26, 2014
Welcome Wagon: Design Hike Recap
August 25, 2014
July Social and Lovely Things @ Kitsch in Norfolk
August 20, 2014
BSR Collateral System