Forgot your username or password?
Filmed on: October 24, 2008
Michael Conforti, PhD, asserts that every image is an
inherent expression of its cultural connotations. As a result, the most
natural and coherent presentation of a brand resonates with an audience
because it is in tune with this historical knowledge. Designers need a
deep understanding of that imagery in order for their brands to be
considered trustworthy and authentic. Dave Kuehler talks about the
real-world application of Conforti’s ideas. Drawing on his work with
P&G think-tank The Clay Street Project, Kuehler explains why
innovation is a byproduct of healthy, multidisciplinary teams and
identifies the threshold conditions that must be present for those teams
Michael Conforti, PhD,
is a Jungian psychoanalyst and the founder and director of the Assisi
Conferences. Dr. Conforti is actively investigating the workings of
archetypal fields and the relationship between Jungian psychology and
the new sciences. He maintains a private practice in Vermont, where he
also serves as a state-appointed advisor to the Board of Psychoanalysts.
He has worked for the last 25 years in fine-tuning an archetypal
approach to images and now brings this specialization to the film
industry, where he works as a script consultant, addressing issues of
imagistic and archetypal coherence. He has presented his work to a range
of national and international audiences, including the C.G. Jung
Institute in Zurich and Jungian organizations in Venezuela, Denmark,
Italy and Canada. He authored the books, Field, Form and Fate: Patterns in Mind, Nature and Psyche and has written articles that have appeared in Psychological Perspectives, San Francisco Jung Library Journal, Roundtable Press, World Futures: The Journal of General Evolution and Spring Journal.
Dr. Conforti has been a faculty member at the C.G. Jung Institute in
Boston and the C.G. Jung Foundation in New York, and has also served as a
senior associate faculty member at Antioch New England Graduate School.
David Kuehler currently leads the Clay Street Project, a
global innovation program at Procter & Gamble. Kuehler’s background
encompasses more than 15 years in the design and entertainment fields.
Prior to joining Procter & Gamble, Kuehler was the director of
Project Platypus, a groundbreaking product development initiative at
Mattel Toys. Before joining Mattel, Kuehler was the director of creative
development and programming for Robert Redford’s Sundance Film Centers.
At the Walt Disney Company, Kuehler was instrumental in the design
development and rollout of Club Disney, a location-based entertainment
concept for families. Kuehler founded an entertainment design company
and has developed television shows for Nelvana Communications and Britt
Allcroft productions. As an instructor and speaker at Art Center College
of Design, he developed a new curriculum focused on experience design
and product development. Kuehler is a contributing author to the recent
books The Change Champion’s Fieldguide: Strategies and Tools for Leading Change in Your Organization and Best Practices in Leadership Development and Organizational Change.
Jonah Lehrer wows the audience with this presentation on
what science can learn by studying human creativity, and intrigues with
comments such as, “We’re all sacs of water and protein, anyhow.” Using
discoveries in modern cooking and music as examples he explains how what
may initially be shocking gets assimilated into the mainstream as the
mind finds patterns over time. Therefore, the best creations walk the
line between breaking new ground and channeling the familiar.
Section: Why Design -
Conference , Gain conference, business
Luis Fitch points out that nearly 50 percent of the
United States population is Hispanic, but there is incredible diversity
among Spanish-speakers and varying degrees of acculturation. UNO’s
FiltrosTM system is a tool for businesses to understand their
market via a set of filters that describe how these audiences see the
world. Fitch gives specific examples from his firm’s branding work, and
warns that if executives continue to ignore the unaccultured audience,
their companies will be missing out on decades worth of brand
impressions and loyalty.
Section: Why Design -
Conference , Gain conference, branding, business
This charismatic husband-and-wife team banters about
designing for Martha Stewart in this lively presentation that reflects
their great working relationship and quick wits.
Bart Houlahan describes B
Labs’ certification of B Corporations—where B stands for the benefit
created for all stakeholders—and how these companies address social and
environmental issues with the power of capitalism.
Section: Why Design -
Conference , Gain conference, social responsibility, sustainability, business
AIGA’s chapters allow our members to form powerful social and
professional bonds through conferences, competitions, lectures and
Section: About AIGA -
Learn more about AIGA’s national conferences and events, and access videos from select conferences and awards events.
Section: Events and Competitions -
Conference , Event
A Graveyard for Good and Dead Ideas
March 30, 2015
Graphic Design Intern Small Giants
March 31, 2015
Art Director The Joint
How to Prepare A Design Portfolio for Ink & Pixels Portfolio Review
March 29, 2015
Kickstart Graphic Means
March 27, 2015
Senior User Interaction DesignerNREL
Golden, ColoradoFebruary 25 2015
15 uses for Newsprint
Chris Silas Neal Studio