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Editors’ note: “The Weekly Wraparound” is an editorial roundup of links to the week’s best design stories, posted every Friday by the editorial staff of AIGA.org. For recommendations all week long, follow us on Twitter at @AIGAdesign.
If you’ve been reading our Wraparounds each week, we hope you’ve been enjoying them. As always let us know what we missed. Also, note that next week we’ll be away for Thanksgiving and will be too stuffed to post, but look for a new edition on December 2.
This week’s Design Envy curator was Command X: Season 3 winner Jesse Reed, who since the fall of 2010 has been designing for the Museum of Modern Art in New York. His posts showed a range of inspiration, from the powerfully simple branding of Help Remedies to n+1’s complex and nonlinear approach to covering the “occupy” protests.
Where do Jesse’s selections rate on your envy meter? Cast your vote—the most popular designs will become part of a special collection in the AIGA Design Archives!
On Wednesday, the
web joined forces to oppose
legislation (SOPA and PIPA) before Congress that would give the government the power to shut down “rogue websites” and would have significant consequences for any site with user-generated content. One of the ways that social blogging platform Tumblr motivated its users into action was through showing them what their posts would look like redacted, resulting in 87,834 phone calls to representatives.
Benetton is back in the collective consciousness with a provocative new campaign launched in Paris this week. As Patrick Burgoyne writes on the Creative Review blog, “Unhate” recalls “the brand’s controversial heyday” by amorously pairing world leaders in an unlikely embrace—think South Korea and North Korea, Germany and France, Israel and Palestine, the pope and an imam, Barack
Obama and Hugo Chavez. As reported in the Times of India,
Alessandro Benetton, executive deputy chairman, said in an
interview, “The images are very strong, but we have to send a strong message.
We are not wanting to be disrespectful of the leaders... we consider them
‘conception figures’ making a statement of brotherhood with a kiss.” Benetton’s
research communication center Fabrica created the posters in cooperation with
72andSunny, and at least one has already been pulled due to negative response.
This week Design Indaba, an institution built
on improving economic conditions in South Africa through creativity, hosted a food fight. That is, it reached out to experts across
industries—from designers to chefs—to think about eating and food as it relates
to sustainability, obesity, sovereignty, ethics, culture, science, innovation,
diversity and the future. Contributions that caught our eye included Bruce Nussbaum’s explanation of ethical eating as a form of economic development and Laetitia Wolff’s unexpected hope for genetically modified food .
The FWA (Favourite Website Awards) polled 50 of the top digital agencies for reactions and predictions following Adobe’s
announcement last week that it would move away from Flash development for
mobile browsers (see last week’s Wraparound for more links on that story). There are a lot of great quotes, including this one from Grow Interactive’s Drew Ungvarsky: “While
I question the motives of the Flash vs. iOS debate, I’m definitely
excited about the types of innovation the change has inspired, not to
mention the focus on usability. Like everything else in development,
the conversation should be about using the right tool for the right
Jared Spool takes a fresh look at psychologist Noel Burch’s “conscious competence learning model” and how it can help user experience designers understand how ignorance turns into mastery. He outlines how this long-established model can be applied to “different design strategies to help our users with their own stages of competence.”
Erin Kissane, Krista Stevens, Ethan Marcotte and Erik Westra launched “a new magazine for new-school editorial” called Contents. To address the content strategy issues brought on by the ever-changing ways we read, the site will post issues periodically, with new articles on Wednesdays—and “Babies and the Bathwater” by Typekit’s Mandy Brown is its inaugural post (thanks, Lydia Mann, for the tip).
And, finally, as we stress to get everything done before the holiday, we appreciated this post by Tony Schwartz, CEO of The Energy Project, on the importance of maintaining balance for the best results. “Ultimately, the highest creativity depends on making frequent waves—learning to engage the whole brain by moving flexibly and intentionally between the right and left hemisphere, activity and rest, effort and letting go,” he writes. Just breathe.
Now tell us, what have you been reading? We’d love to hear from you in the comments.
Compiled by Sue Apfelbaum and Rasika Welankiwar
A not-so-brief rant about the future of interaction design, Design Envy picks from Stewart Smith, type and web designers as kindred spirits, the New Yorker's first-ever creative director and Adobe’s embrace of HTML5 are just some of our top stories this week.
design educators, students
Seven billion people on the planet, illustrated Food Rules, the power of data, 30 covers in 30 days, the new Google Reader and how The Onion is saving print—these are our stories of the week.
Brooklyn Beta, a big week for type, Design Envy picks from
Christopher Sergio and Laetitia Wolff, National Design Week, a lesson in
sensitivity, TED speaker Kevin Slavin’s take on screens, the new iPad-friendly
Instapaper and the most popular image in Getty’s Flickr collection are our top
stories this week.
Art Center College of Design recently announced a $2 million gift to the College from the Lowell Milken Family Foundation in honor of legendary Professor Leah Toby Hoffmitz Milken, who passed away on October 25 after an extended illness. We take a look back at the renowned letterform expert's life and her many contributions to design.
Section: Inspiration -
There are three general types or client/designer relationships: boss/worker, friends and partners. All three types have their place, but only one of them offers the potential for truly great design to emerge.
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