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Editors’ note: “The Weekly Wraparound” is an editorial roundup of links to the week’s best design stories, posted every Friday by the editorial staff of AIGA.org. For recommendations all week long, follow us on Twitter at @AIGAdesign.
Today is 11/11/11, which for Spinal Tap fans and corduroy enthusiasts is the greatest day ever. Our list might not go all the way to 11, but here are the stories we’ve been following.
This week on Design Envy, graphic designer, programmer and digital artist Stewart Smith—operating under the name Stewdio—shared
what inspired him, from a gorgeous lookbook film promoting the Spring/Summer 2012 line of emerging fashion designer Charlotte Taylor
to further proof that that internet’s infrastructure was built
primarily to worship our furry friends.
do these selections rate on your envy
meter? Cast your vote—the most popular designs will become part of a
special collection in the AIGA Design Archives!
The ironically titled “Brief Rant about the Future of Interaction Design,”
by Bret Victor, was a popular post this week. He
argues that the tap and swipe features on the current touchscreen
devices are too simplistic and aren’t living up to our techno-futuristic
expectations. Until the industry is able to catch up, the battle for
tablet dominance wages on. Barnes & Noble unleashed its Nook Tablet and Dan Frommer commented, “The most impressive thing about the Nook Tablet is that it exists.” And Forbes reports that anticipation of the Kindle Fire is making iPad buyers think twice.
Amazon.com also introduced the Kindle Owners’ Lending Library: “Kindle
owners can now choose from thousands of books to borrow for free
including over 100 current and former New York Times Bestsellers, as
frequently as a book a month, with no due dates.” O’Reilly Radar says
it’s good for subscribers, but not so much for publishers and authors (or designers).
At the RGD Design Thinkers Conference last week, Jessica Hische was quoted as saying “Type designers and web designers are kindred spirits, they just don't know it yet” (source).
We think they’re starting to figure it out, though. We’re certainly
seeing web type improve at a rapid pace—this week Monotype expanded the
families of Verdana and Georgia,
improving them for the screen. And as we’ve reported before, Adobe’s
acquisition of Typekit indicates exciting things to come (AIGA is
hosting a webinar with Tim Brown of Typekit next month; learn more here.) On the Typekit blog, Ethan Marcotte wrote a great post this week on sizing text for the web (be sure not to miss the comment section too).
first reported on Tuesday by ZDNet’s Jason Perlow,
Adobe Systems will cease development of Flash on mobile devices and
increase investment in HTML5.
In a blog post on the company’s website,
Danny Winokur, Adobe’s vice president and general manager of
interactive development, said, “HTML5 is now universally supported on
major mobile devices, in some cases exclusively. This makes HTML5 the
best solution for creating and deploying content in the browser across
We all know what “cases” he’s talking about, but beyond that, as Devindra Hardawar writes for VentureBeat.com,
moving away from Flash for mobile will allow Adobe to focus more on
advancing the technology where it’s best suited, like for advanced
gaming and premium video. And, as Michael Miller writes for the PC Magazine’s
Forward Thinking blog,
the long-term benefits of HTML5 seem only to be growing: “HTML5 is
developing in all sorts of new ways, as well. Google has been working on
enabling offline access for many of its applications, such as Gmail and
Google Docs, within HTML5.”
Since 1981, Print’s
Regional Design Annual has surveyed the current state of American design by dividing the country into six regions and appointing judges to assess what’s best in each one. But with the flattening of the web,
do regions still matter? Are there variations in work from New
England versus, say, the Far West? When asked, the winners said no, but
the judges said yes. As Michael Freimuth, a Midwest judge, put it on mydesignshop.com:
“Regions still matter in the sense that they comprise creative
communities. There's quite a lot more to our business and world than
servicing clients—becoming an integrated and active member of your
creative community is huge. You can’t ignore your immediate
surroundings.” Learn more about the latest annual, now available for order, here.
Sunday Geoffrey Mutai became the first person to run record times to
win both the Boston and New York marathons in the same year, and we’re
pretty sure Christoph Niemann became the first man to illustrate a
marathon while running it. See all 46 of his sketches, capturing the big
(crossing the finish line!) and the small (where’s the cap to my pink
marker?) moments over 26.2 miles.
Eighty-six years after its debut, The New Yorker has hired its first creative director,
Wyatt Mitchell. He’ll be using his experience as Condé Nast’s digital
magazine design director to give the title a coherent look across
platforms, from hardcover books to the iPad. Though editor David Remnick
will still control magazine covers and cartoons. (We wouldn’t give
those up either!) As the New Yorker advances its design, we were reminded of an oldie but goodie by Michael Bierut on the magazine’s “slow design.”
There’s no shortage of strong opinions on the internet, but TwoSides
makes debate civil. Voting on issues is fun, and the visualizations are
appealing too. For example, now’s your chance to settle the score: double or single spaces after a period?
Want to debate our selections? Tell us what we missed in the comments.
Compiled by Sue Apfelbaum and Rasika Welankiwar
Seven billion people on the planet, illustrated Food Rules, the power of data, 30 covers in 30 days, the new Google Reader and how The Onion is saving print—these are our stories of the week.
A designer’s ideal skill set, Design Envy picks from WeShouldDoItAll, the jobs poster contest, An Event Apart, an honest look at what Michael Bierut loves about design, great artists stealing and Christoph Niemann’s illustrations for the Art Directors Club Hall of Fame Gala are our top
stories this week.
Brooklyn Beta, a big week for type, Design Envy picks from
Christopher Sergio and Laetitia Wolff, National Design Week, a lesson in
sensitivity, TED speaker Kevin Slavin’s take on screens, the new iPad-friendly
Instapaper and the most popular image in Getty’s Flickr collection are our top
stories this week.
In the second part of a two-part article that spotlights the remarkable
business innovations of Bell Labs, veteran in-house design manager Andy Epstein explores the link between
in-house designers and research scientists, examining three ingredients needed to
thrive in an in-house environment.
Section: Inspiration -
in-house design, in-house issues, INitiative, creativity
During his 30 years as partner and principal of Chermayeff & Geismar, Steff Geissbuhler designed a vast array of memorable and imaginative posters, and some of the most defining corporate-identity programs of the latter part of the 20th century. His most notable work includes a poster in which a massive silhouetted Godzilla and King Kong hold paws as they amble into the sunset, a bittersweet signifier for peace between Japan and the United States, and the logotypes for NBC (the peacock) and Time Warner (the conflation of an eye and ear). In 2005, he was awarded an AIGA Medal.
Section: Inspiration -
corporate design, AIGA Medal, posters
The Saint Johns Bible Website
yGrphc sw sdsgners #grphc #design in Hmpshire #Hmpshire , get t me! I need new graphic designers for multiple projects!spoft
9 minutes ago
15 uses for Newsprint
Chris Silas Neal Studio
AIGA Mentor Program visits a favorite: IDEO
December 06, 2013
Member Mix | Gene Morgan
A Rather Novel Collection
AIGA 50 Books/50 Covers of 2009 catalogue
Starbucks VIA Packaging
IZZE You’ll Love What’s Inside Campaign