Ryman Eco is a beautiful, free, sustainable font that uses one-third less ink than standard fonts and 27 percent less ink than the leading sustainable font. It’s estimated that if everyone used this font while printing, more than 490 million ink cartridges could be saved every year. However, no typeface has ever entered widespread use without first engaging and being embraced by the design community. Helvetica, Futura, and Century Gothic, for example, were all developed and adopted by designers long before they established themselves as popular, everyday fonts.
Ryman Eco was created by Monotype’s Dan Rhatigan and creative agency Grey London on behalf of stationery retailer, Ryman. It uses an average 33 percent less ink than a suite of standard fonts including Arial, Times New Roman, Georgia, and Verdana. The font is cleverly designed to capitalize on the ink bleed and toner spill that occurs on home and office printers.
To highlight Ryman Eco’s credentials as a credible and aesthetically pleasing design tool, creative agency Grey London has enlisted the help of some of the U.K.’s most respected design practitioners for The Alphabet Poster Project, for which 26 typographers, designers, and art directors were asked to create a unique poster featuring one letter from the Ryman Eco Alphabet.
The brief was two words long: “beautifully sustainable.” The result is a visually eclectic alphabet that celebrates the beauty of the font and serves as a reminder of its environmentally friendly purpose.
Only a single prototype of each poster was printed. They were photographed and will be displayed in a digital gallery where people can explore them in detail, download, and share them–all without using a single drop of ink. The microsite includes a host of additional content, including footage of the creators discussing what influenced their designs.
“The intention was to stress test the font and demonstrate its versatility, so we invited a broad cross section of creatives and designers with different specialties and styles to work on the Alphabet. Hopefully, what we’ve created is a series of artworks that inspire other designers to incorporate Ryman Eco into their own font libraries.” –Creative Director Andy Lockley
This article was originally published on Medium.
One of the perks of my new-ish position as managing editor at AIGA is spending my mornings reading design stories and calling it “work.” But not everyone gets to (or wants to) peruse RSS feeds like it’s their job. Consider this a hit list (as well as a few things you may have missed) of the most interesting things I’ve seen, read and watched this week.
Section: Inspiration -
book design, identity design, culture, sustainability
In this session, learn how Kuhlmann Leavitt, Inc. renovated a 1920s building and turned it into a
solar powered, geo-thermal, rain garden adorned, responsible studio haven.
Lovins tells us the single most important skill a designer should have, why we should all get familiar with the Edge Economy, and the reason her friend Bucky (Fuller) considers her a “Design Outlaw.”
Conference , environmental design, professional development
Sprout is the first event in a 4-part series that brings together diverse members of the design, nonprofit, and social impact communities in partnership to use design thinking and sustainable frameworks to address today's community challenges.
Section: Events and Competitions
Corcoran Glimpse Book
Dutch duo @TeamThursday on why rough-and-ready trumps sleek and tidy: https://t.co/UrMu8KJetc via ?? on Design https://t.co/kI0ARo8Kfe
2 hours ago
RT @aigaorlando: Register to vote and make a difference! #lovebydesign #aigatogether #getoutthevote https://t.co/DtQeCuxLIY
3 hours ago
RT @krfg: How talking about type substitutes for (and distracts from) a wider design discussion. My latest AIGA DEC blog post: https://t.co…
AIGA AZ 2016 Town Hall Meeting survey
June 18, 2016
Show your love Arizona with a poster
June 17, 2016