Remembering 9/11: Then and Now

R. O. Blechman for the The New York Times, 2001.

Steven Brower, cover of Print Magazine's Regional Design Annual 2001.

Milton Glaser, I Love NY More Than Ever, 2001.

Hector Casanova, WTC Peace Sign, 2001.

Abby Bennett, 2001.

Ingo Fast, Unity, 2001.

Dmitri Siegel, 9/11, 2001.

Brian Niemann, 9/11 Memorial Poster, 2001.

Michael Leland, 2001.

Wallace Church, United We Stand logo, 2001.

Felix Sockwell, 2001.

Tad Toulis, 2001.

Steff Geissbuhler, newspaper illustration, 2001.

Scott Lewis, FDNY logo, 2001 (available in vector format at
iconify.it). (Added to this collection in 2011.)

Open, cover for The Nation, October 1, 2001. (Added to this collection in 2011.)

Chris Calori, Remember 9/11, 2001. (Added to this collection in 2011.)

Art Is... poster for the School of Visual Arts, 2001. Design,Concept, and 3D Illustration: Kevin O'Callaghan. Graphics: Mike Joyce. Photography:
Hugh Kretschmer. (Added to this collection in 2011.)

Haas Design, poster created for the 10th anniversary, 2011.
Tragedy and imagery go
hand-in-hand. First there is the real image of the event captured on video and
photographs. Then, even before the dust settles, artists and designers are
often among the first responders. Creating signs, symbols, icons and expressive
interpretations are among the mnemonic building blocks of remembrance. September
11, 2001—or 9/11, as its been branded in our consciousness—triggered countless
post-tragedy images. Some in solidarity with the victims, others protesting the
perpetrators, and still more commemorating the historical moment. Indeed many
were all of these.
In the days, weeks and
months following the devastation from the attack on the World Trade Center and
Pentagon, AIGA became a repository, clearing house and archive for impromptu
and commissioned imagery.
David Womack, who was AIGA’s director of new media at the time, recalls:
We decided to create a
gallery to let members post their own. My main memory was that the day after we
launched the gallery, NPR ran a story about it and the server crashed, and then
kept crashing because of all the traffic. [We] had to add five servers in order
to keep up with the demand.
The outpouring of emotion
could not but result in work that quickly evolved into a universal language
combining grief and heroism through symbols both universal and exclusive. Each
image, regardless of style or concept, is an historical document. As visual
history, they are resonant signposts too.
Ric Grefé, AIGA executive
director, notes that, in addition to collecting these images, AIGA joined with other organizations in New York to develop recommendations for infrastructure, planning and design to help rebuild lower Manhattan:
The most important contribution we made right after 9/11 was the
role we played in the formation of ‘New York New Visions’ and the creation of the
report and its findings for use in advocating design guidelines for the
rebuilding of downtown New York. This group met here weekly for months and we were
instrumental in the governance and managing the process leading to its advocacy
role. (We arranged for the design and printing of the book and paid the
expenses.)
To commemorate this
anniversary we present a selection of the images collected a decade ago. If
you have a remembrance you wish to share, please add it to the comments. And if you have an image you wish to add to this collection, send an email .
Thanks to Chris Calori for reminding us about this gallery.
About the Author: Steven Heller, co-chair of the Designer as Author MFA and co-founder of the MFA in Design Criticism at School of Visual Arts, is the author of Merz to Emigre and Beyond: Avant Garde Magazine Design of the Twentieth Century (Phaidon Press), Iron Fists: Branding the Totalitarian State (Phaidon Press) and most recently Design Disasters: Great Designers, Fabulous Failure, and Lessons Learned (Allworth Press). He is also the co-author of New Vintage Type (Thames & Hudson), Becoming a Digital Designer (John Wiley & Co.), Teaching Motion Design (Allworth Press) and more. www.hellerbooks.com