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How do you strike the balance between exuberant young artist
with vision, supporting cast member, ever-ready helper, and
“You have to pay your dues.”
It's a mantra heard often by students and young designers. But
it can mean many different things to many different people. And its
usually stated in the third person. So, for clarification, I've
asked over a dozen successful designers for personal stories about
how they paid their dues.
Most describe it as a period time during which they had to give
and follow patiently, even when they wanted desperately to be
allowed to break loose. They gave up something to receive something
they did not have, something that they desired: credibility,
professional skills, experience-the answer is different for
But when do we go too far? When do we go from paying dues to
selling out? Is it OK to “rent out” your soul once in a while? How
many times is too often? When is it a temporary necessity as
opposed to an intolerable state?
The stories told vary in situation and circumstance, but there
are common themes of hope and reflection. They illustrate the power
of pursuing our individual vision and doing whatever it takes to
make it real. Just thinking about it is not enough!
Creative Director, Vrontikis Design Office
Senior Faculty Member, Art Center College of Design
In an expansive global design economy, diversity is not a social cause but a business imperative.
Section: About AIGA -
AIGA Insight, diversity
Miriello has discovered that it’s the human stories that create effective brands.
Section: Inspiration -
personal essay, branding, graphic design, mentoring, students
Emigre may not be as typographically experimental or visually provocative as it was in the ’90s but VanderLans still pushes designers’ buttons.
Section: Inspiration -
history, Voice, typography
While in school, design students learn many things, from design concepts like gestalt, processes from brainstorming to production, and even the technical aspects of software and code. All of that is essential to becoming a designer, but there’s one thing the typical curriculum may not cover: How to give—and receive—a good design critique.
As a mother of two and a full-time art director at Savage, I regularly battle the ups and downs of being a mom in a designer’s world. Although it can be overwhelming at times, it can also be highly rewarding. As everyone handles the balance in their own way, I’ve assembled some thoughts and advice for creative working mothers.
Section: Tools and Resources
Brazilian Photographer Attempts to Catalog All Possible Human Skin Tones
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4 days ago from
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Kickstart Graphic Means
March 27, 2015
How to Give and Receive a Good Design Critique
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