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Webster's New World Dictionary describes a mentor as a
wise, loyal advisor, a teacher or coach. Sarah Moore, Associate
Professor of Art History at the University of Arizona has been and
is all of those. As my professor in several of my art history
classes, especially those in European Modernism, she took a student
with little knowledge and understanding of art history and
instilled a deep and abiding passion for scholarship in these
areas. She encouraged me to dig deep into all areas of art
historical research, but especially those that pertained to graphic
design and typography.
Professor Moore was a sympathetic ear and counselor to a
sometimes-overwhelmed “non-traditional” (re: older, as in his 40s)
graduate design student. But most importantly, she was my Rosetta
stone, the key to a new way, for me, of looking at and approaching
design, both as a practitioner and a future teacher.
Sarah Moore instilled in me the understanding and belief that
all art, but especially design and typography, is understood within
the societal, cultural and historical context in which it exists.
She also instilled in me the belief that theory must be relevant to
practice. This has sent me to further study historical and
contemporary design/typographic theory and explore how it can be an
effective tool to the practicing designer. I use my study and,
hopefully, understanding of semiotic theory, deconstruction theory,
Friedman's theory of legibility and unpredictability and others, to
help both my students and myself explore new avenues of creative
She believed in me, and my potential as a teacher and artist,
when I did not believe in myself. Where I had seemed to lose my
passion for design, she helped me find vision and renewed passion.
She knew when to cajole, when to encourage and when to kick me in
the posterior. She was always there and available to help and talk.
And she showed me, maybe somewhat unwittingly, that this is
applicable to all aspects of life, whether dealing with clients or
Sarah Moore. Mentor. Teacher. Friend. Colleague. And my gateway
to truly and passionately embracing an expanding future in design
and design education.
Assistant Professor Graphic Design
Department of Art & Art History
University of Missouri-Kansas City
& *PDG Design [*pretty darn good]
John Bielenberg on Don Bell and Michael Vanderbyl I have many design heroes. Some of them I know and some I just
know through their work published in books and presented in
lectures. They're the usual suspects, I guess, like Mockbee,
Kalman, Gehry, Sagmeister, Starck, Mabry...
Unfortunately, I have very few true
Section: Inspiration -
graphic design, mentoring, students
Despite a rich, fulfilling career, there are things that Bantjes wishes she’d done differently. But maybe that’s a good thing.
Section: Inspiration -
personal essay, graphic design, mentoring, students
Just a simple idea to take advantage of the iPhone screen. Take a look!
Design feedback shouldn't be a painful process. In fact, if it's a painful process, I'd say someone's not doing it right. The most successful projects are usually ones with a collaborative workflow between a well-balanced team of designers, developers, project management, and of course — clients! It's essential to have a healthy feedback process, in which the client knows exactly what feedback is most helpful for the next round of revisions, and the designers and developers know how to translate and solve those problems.
I know, I know, both web teams and people who have hired web teams are out there groaning right now (we get it, and this isn't a soapbox). Everyone has had their fair share of difficult projects and poor communication, but it doesn't have to be that way. In efforts to improve the feedback process for web clients and design teams alike, I'm writing this two-part article about How to Give Good Web Design Feedback, and Turning Client Feedback Into Your Best Work.
AIGA is nearly 100 years old. They say you can’t teach an old dog new
tricks, which might be true. Fortunately, AIGA is a 22,000 person
strong organization, not an aging canine. We’re changing our membership
structure, and we couldn’t be happier about it.
Section: About AIGA -
AIGA chapters, membership
Paper Collective Prints and Posters: A webstore that nods to Denmark's design heritage and donates at least 15% of profits to charity
Posted by Cajsa Carlson
18 hours ago from
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Break Bread Identity
AIGA AZ 2014: A Year in Review
December 16, 2014
Pro Bono Lead Graphic Designer
December 14, 2014
Hsin Hua Lin
The New York Times