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Recognized as the ultimate “designer’s designer,” merging imagination, intelligence, creativity and craftsmanship through incisive and enduring design.
One evening, when Stephen Doyle was in high school in Baltimore, the phone rang. A woman’s voice said, “You don’t know who I am, but I’m just calling to
tell you that you are going to go to Cooper Union.” What is that? Doyle asked. “The best art school in the country,” the voice told him.
Thirty-six years after graduating from Cooper Union and embarking on a career that has brought him eminence many times over, he related this story from the
offices of his design company, Doyle Partners—now a studio of ten—near Madison Square in New York. “I don’t know who called,” he says. “She had seen some
of my paintings at an art show. I’ve got these angels that take care of me.”
Observing Doyle’s design—immaculate logos, sharply observed book covers, landscape works imbued with the gravitas of longevity—makes it hard to imagine
that this man would twist his fate at the behest of an anonymous phone call. But look again: Effervescence, humor and warmth are mixed in with his
elegance. You can see it in conventional projects like branding for Barnes & Noble and book design for Stephen Colbert, and in unconventional efforts
like a kinetic skin for a new shark tank building at the New York Aquarium.
The influences are not hard to trace. Chief among Doyle’s mentors at Cooper Union was George Sadek, a Czech émigré who appreciated what Doyle describes as
“intelligent lunacy.” Another was Milton Glaser, who made ethical concerns the glue of his diverse design practice.
Doyle’s first job out of school was at Esquire magazine’s art department, which he followed with two years at Rolling Stone. Celebrated
for its typography, Rolling Stone helped him develop a masterly way with letterforms that remains a hallmark of his design. In 1983, he joined the
studio of another Eastern European who could fondly be described as an “intelligent lunatic”: Tibor Kalman, the founder of M&Co.
Doyle recalls his first few hours at M&Co. Kalman took the opportunity to fire the existing staff and tasked Doyle with filling the positions. In place
of the rigidly trained Yale and Cranbrook grads Kalman decided weren’t advancing his interests, Doyle brought in talented school acquaintances, including
Alexander Isley and Tom Kluepfel.
Flailing in the stormy conditions of inexperience and then righting himself is a story Doyle tells repeatedly. He finds exhilaration in the terror, and
something more: a fresh approach. In 1985, he risked leaving M&Co with Kluepfel to join William Drenttel in starting Drenttel Doyle Partners. The
studio designed books, environmental graphics, identity systems and a celebrated prototype for a new humor magazine called Spy. When Drenttel
departed in 1997, it became Doyle Partners. Among the studio’s many award-winning designs were the branding and product packaging for Martha Stewart Living
Omnimedia, a project directed by Doyle’s wife, the 2014 AIGA Medalist Gael Towey. In 2010, he received the Cooper-Hewitt’s National Design Award for
Today, Doyle says that he loves his studio’s mix of video, sculpture, architectural projects and conventional graphics. Whether creating elaborate
constructions for the New York Times and Wired, or developing an “indelible” baseball field for a park on the site of the former Yankee
Stadium, or compiling classic movie clips into a witty video introducing an American Express conference on luxury publishing, or
envisioning a new skin for Toronto’s First Canadian Place skyscraper, he both demonstrates and elicits delight. The word “jaded” does not appear to be in
“There are fewer borders in design now, and that’s really fun,” Doyle says. “It just means there are only horizons. I have no nostalgia for the waxer.”
Stephen Doyle will be presented with the AIGA Medal at The AIGA Centennial Gala on April 25, 2014, in New York City.
The distinguished AIGA Medal is awarded to individuals in recognition of their exceptional achievements in the field of design.
Section: Inspiration -
AIGA’s design community will gather in New York City for “The AIGA Centennial Gala,” a celebration honoring the 2014 AIGA Medalists and supporting national design initiatives.
Among other things, this week I...giggle over the promo for Hardy (above), the new typeface from recent Design Envy curator and Sagmeister & Walsh designer Wade Jeffree.
Section: Inspiration -
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Abbott Miller is recognized with a 2014 AIGA Medal for design that elevates culture, fusing content and form through elegant and incisive publications, exhibitions and identities.
Section: Inspiration -
book design, communication design, editorial design, environmental design, exhibition design, graphic design, identity design, AIGA Medal
Can we afford to continue offering design curricula that move from the simple to the complex, when contemporary design problems are all about relationships? Can we afford to continue emphasizing individual achievement for a practice based increasingly on collaboration?
Earth Insights is an innovative collaboration between HP and Conservation International that applies big-data-processing technology to monitor biodiversity loss across the world’s tropical forests.
Section: Why Design -
data visualization, digital media, Competition, eco issues, technology
What are the copyright issues that have the most impact on designers and illustrators today? Holland weighs in on the controversial and complex entanglements of the day.
Section: Tools and Resources -
Voice, copyright, legal issues
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