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Recognized as the ultimate “designer’s designer,” merging imagination, intelligence, creativity and craftsmanship through incisive and enduring design.
One evening, when Stephen Doyle was in high school in Baltimore, the phone rang. A woman’s voice said, “You don’t know who I am, but I’m just calling to
tell you that you are going to go to Cooper Union.” What is that? Doyle asked. “The best art school in the country,” the voice told him.
Thirty-six years after graduating from Cooper Union and embarking on a career that has brought him eminence many times over, he related this story from the
offices of his design company, Doyle Partners—now a studio of ten—near Madison Square in New York. “I don’t know who called,” he says. “She had seen some
of my paintings at an art show. I’ve got these angels that take care of me.”
Observing Doyle’s design—immaculate logos, sharply observed book covers, landscape works imbued with the gravitas of longevity—makes it hard to imagine
that this man would twist his fate at the behest of an anonymous phone call. But look again: Effervescence, humor and warmth are mixed in with his
elegance. You can see it in conventional projects like branding for Barnes & Noble and book design for Stephen Colbert, and in unconventional efforts
like a kinetic skin for a new shark tank building at the New York Aquarium.
The influences are not hard to trace. Chief among Doyle’s mentors at Cooper Union was George Sadek, a Czech émigré who appreciated what Doyle describes as
“intelligent lunacy.” Another was Milton Glaser, who made ethical concerns the glue of his diverse design practice.
Doyle’s first job out of school was at Esquire magazine’s art department, which he followed with two years at Rolling Stone. Celebrated
for its typography, Rolling Stone helped him develop a masterly way with letterforms that remains a hallmark of his design. In 1983, he joined the
studio of another Eastern European who could fondly be described as an “intelligent lunatic”: Tibor Kalman, the founder of M&Co.
Doyle recalls his first few hours at M&Co. Kalman took the opportunity to fire the existing staff and tasked Doyle with filling the positions. In place
of the rigidly trained Yale and Cranbrook grads Kalman decided weren’t advancing his interests, Doyle brought in talented school acquaintances, including
Alexander Isley and Tom Kluepfel.
Flailing in the stormy conditions of inexperience and then righting himself is a story Doyle tells repeatedly. He finds exhilaration in the terror, and
something more: a fresh approach. In 1985, he risked leaving M&Co with Kluepfel to join William Drenttel in starting Drenttel Doyle Partners. The
studio designed books, environmental graphics, identity systems and a celebrated prototype for a new humor magazine called Spy. When Drenttel
departed in 1997, it became Doyle Partners. Among the studio’s many award-winning designs were the branding and product packaging for Martha Stewart Living
Omnimedia, a project directed by Doyle’s wife, the 2014 AIGA Medalist Gael Towey. In 2010, he received the Cooper-Hewitt’s National Design Award for
Today, Doyle says that he loves his studio’s mix of video, sculpture, architectural projects and conventional graphics. Whether creating elaborate
constructions for the New York Times and Wired, or developing an “indelible” baseball field for a park on the site of the former Yankee
Stadium, or compiling classic movie clips into a witty video introducing an American Express conference on luxury publishing, or
envisioning a new skin for Toronto’s First Canadian Place skyscraper, he both demonstrates and elicits delight. The word “jaded” does not appear to be in
“There are fewer borders in design now, and that’s really fun,” Doyle says. “It just means there are only horizons. I have no nostalgia for the waxer.”
Stephen Doyle will be presented with the AIGA Medal at The AIGA Centennial Gala on April 25, 2014, in New York City.
The distinguished AIGA Medal is awarded to individuals in recognition of their exceptional achievements in the field of design.
Section: Inspiration -
AIGA Medal, design educators, students
AIGA’s design community will gather in New York City for “The AIGA Gala,” a celebration honoring the 2015 AIGA Medalists and supporting national design initiatives.
Section: Events and Competitions -
Graphic illustrating important bike accident facts and safety information.
Is the government using graphic design to incite panic for political profit? Vienne looks at the color-coded alert system and sees red. Milton Glaser says “give puce a chance.”
Section: Tools and Resources -
Voice, information design
Ever wonder who designs all the crests, seals, medals, and emblems for branches of government and military? The director of the Institute of Heraldry tells all.
Section: Inspiration -
interview, Voice, branding
A brand should have a sense of purpose, and is not just your logo, your letterhead, or your web site: it is every piece of communication that is created to explain who you are.
Section: Why Design
This month marks two fairly important milestones in my life. Within the next 30 days I will celebrate both my 30th birthday and my eight-year
anniversary at The Coca-Cola Company. I tell you this because it means one thing: I’ve been doing a lot of thinking.
Section: Tools and Resources -
personal essay, INitiative, in-house design
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