Forgot your username or password?
In 2013, for “Justified: AIGA Design Competition,” a distinguished jury chaired by Clement Mok selected 14 case studies that each serve as an effective tool to explain the role of designers in conceiving and implementing solutions.
The following are individual jurors’ comments on the selection “Case Study: TNSJ Visual Identity and Communications.” To view all 14 selected works, visit: aiga.org/justified-2013-selections/
Valerie Casey, founder and chief executive officer, Necessary Projects, San Francisco, CaliforniaRarely do we experience such exquisite creativity in both process and execution. Each member of our jury was intrigued, delighted and captivated by this work. The “backstage” concept was flawlessly and unselfconsciously executed, and the consistency across the system made both the individual components and the entire body of work feel worthy of recognition. Each piece expressed graphical excellence, an engaging narrative and a truly dynamic and visceral experience. Exceptional.
Jessica Hische, letterer and procrastiworker, Title Case, San Francisco, CaliforniaBeautiful work! I loved seeing a bit of the process and I think that you can really tell that both the theater and the designers are excited about this work. The resulting images are captivating, and I love how consistency has been kept across all materials without them ever being boring. The light projection pieces are just beautiful, especially when you see them from the side as the type flows over the surface. The graphics are moody, modern and engaging; they would definitely grab me from the street to investigate.
Brad Johnson, VP, executive creative director, Second Story (now part of SapientNitro), Portland, OregonI loved the strong conceptual foundation behind this beautiful, smart, theatrical work. Through inventive variations on a theme, this project establishes a personality for the theater company as well as their individual productions. Each poster and program cover offers a fresh behind-the-scenes glimpse into a world that was varied but also coherent.
Clement Mok, design and business consultant, The Design Office of Clement Mok, San Francisco, CaliforniaInspirational. A refreshing look at marketing and communications material for a theater and its program. Considering the historical and cultural heritage of this place, the design solution is progressive and a study in contrast. One gets the sense that the materials are dragging the institution kicking and screaming into the 21st century.
Josh Rubin, founder and editor in chief, Cool Hunting, New York, New YorkThe embodiment of “head, heart, hand,” Joana Monteiro’s designs for the Teatro Nacional São João are clever, exciting and technically sophisticated.
Christopher Simmons, principal and creative director, MINE™, San Francisco, CaliforniaI was immediately struck by the visual confidence of these campaigns—in particular, the “behind the scenes” series. We’ve come to expect a certain “look” from the performing arts—too often, some expressive typography overlaid on a singular dramatic image of a performer or the venue. At first glance, these works seem to fit that paradigm. But look closer and the viewer is drawn past the curtain into the equally theatrical world of the production itself. And it’s a messy, magical place. An unexpected look at theater that heightens—but doesn’t expose—its mystery. A smart solution whose many details are thoughtfully considered and deftly executed.
AIGA’s “Justified” competition recognizes case studies that demonstrate the value of design in a clear, compelling and accessible way. The 2013 “Justified” competition honors 14 exemplary case studies that successfully demonstrate the value of design.
Section: Events and Competitions -
“Eclectic” and “diverse” are perhaps the best words to describe this year’s submissions to “Justified: AIGA Design Competition.” Examining clarity of concept, quality of execution and ability to engage and inspire, the jury selected 14 works from nearly 300 submissions.
Each year a discerning group of jurors meets to review entries for
“Justified: AIGA Design Competition,” identifying submissions that will serve as an effective
tool to explain the role of designers in conceiving and implementing
This toolkit—a downloadable booklet of activities that enables
groups of people throughout the world to collaborate on making
changes in their communities—encourages participants to develop problem-solving skills
while drawing on their unique strengths and perspectives.
Section: Why Design -
Design for Good, design thinking, interaction design, nonprofit, culture, diversity, international, social responsibility, strategy, sustainability
“Why is graphic design 93% white? Removing barriers to increase opportunities in graphic design” (PDF) was originally published in the AIGA Journal in 1991 in response to the Design Conference that year.
Section: Inspiration -
Diversity and Inclusion, graphic design, culture, diversity, social issues, social responsibility
When Laura Berglund noticed that students often fell victim to crimes simply because they lacked information, she decided to do something about it. Her solution, “Anchor: A Campaign Against Crime on College Campuses,” leaves no platform behind—from iPhone apps to street art.
Section: Why Design -
Design for Good, social responsibility, design educators, students
A website redesign for the U.S. Government’s global hunger and food
security initiative had to appeal to a diverse
audience, while simultaneously reflecting the goals and strategies of
Section: Why Design -
Competition, Design for Good, Justified, information design, government, web design, international, social issues, sustainability
Slice of Summer
External Resources (cont.)
Real Good Experiment
15 uses for Newsprint
Chris Silas Neal Studio