Interview with Milton Glaser: Designing Light
The alarms have already been sounded and the authorities are
ready for flaring tensions during the Republican National
Convention in New York City. Not all of the preparations target the
anticipated demonstrations. There are news reports that terrorists
plan to attack the massive gathering. Despite the warning from the
Department of Homeland Security, demonstrators appear unwilling to
cede their right to redress. So, the question is, How can
legitimate disapproval and valid security concerns be balanced?
Perhaps this is a job for Design (with a capital “D”). Milton
Glaser's “Light Up the Sky” acknowledges the Republican's right to
a peaceful convention and the opposition's right to express their
concerns in public. In this interview he discusses the rationale
for the following proposal:

Poster for Light Up the Sky, by Milton Glaser.
The Republicans have every right to meet and choose their
candidate in our city without abuse. At the same time, the
convention creates an opportunity for all of us who disagree with
the culture of militarization and violence that our current leaders
represent. It is time to change the mean spirited and abrasive tone
of our civic discourse. We need an alternative to the harsh and
degrading words and images that have filled our consciousness since
the war began.
An alternative response that requires no permit
On August 30, from dusk to dawn, all citizens who wish to end
the Bush presidency can use light as our metaphor. We can gather
informally all over the city with candles, flashlights and plastic
wands to silently express our sorrow over all the innocent deaths
the war has caused. We can gather in groups or march in silence. No
confrontation and. above all, no violence, which will only convince
the undecided electorate to vote for Bush. Not a word needs to be
spoken. The entire world will understand our message. Those of us
who live here in rooms with windows on the street can keep our
lights on through the night. Imagine, it's 2 or 3 in the morning
and our city is ablaze with a silent and overwhelming rebuke...
Light transforms darkness.
Heller: What inspired you to design the lights
project?
Glaser: I was thinking about how dreadful the city was
going to be during the convention, the rage, the acrimony, the
police beating people over the head - in short, all of the dreadful
images that would be produced by the confrontation. I thought there
must be a better way to deal with the anger and passion that people
now feel. What was needed was a solution that would not create
civic disorder.
Heller: Within weeks after the 9/11 attack a New York public
arts organization, Creative Time, launched its two twin towers of
light spectacle as a testament to the victims. Is there a
relationship between your light project and this?
Glaser: The image of light may have been, in part,
stimulated by that brilliant twin towers of light project. But the
idea of light transforming darkness is a long recurring theme in
civilization.
Heller: Given the planned demonstrations and terrorist alerts
how do you think that your lights concept will impact the political
discourse?
Glaser: The benefit of the light imagery is its
simplicity and avoidance of conflict. I have no idea of its effect
on political discourse.
Heller: I understand that this proposal is an effort to
thwart conflict, but do you envision any other effects, good or
bad?
Glaser: The viciousness of political rhetoric must be
lowered. The first group to do this will help create a climate of
decency and good will.
Heller: Presidential conventions have long been rallying
events for the faithful, but we know from the riots at 1968
Democratic Convention in Chicago that they can also have an impact
on the average voter. Should the protests turn nasty at this
convention would it have a negative impact on the rest of the
nation?
Glaser: Yes.
Heller: Former Mayor Edward Koch has recently become the
poster boy for a televised campaign encouraging New Yorkers to be
courteous, kind, and helpful to the city's Republican guests. How
do you feel about these overtures?
Glaser: My instinct is to treat the Republican convention
with benign neglect.
Heller: The constitutional guarantee to stage non-violent
protest is, of course, a good entitlement. But you obviously have
qualms.
Glaser: I'm all in favor of non-violent protest having
participated in more than a few in my lifetime. But when you have
tens of thousands of people pressing up against police lines,
violence becomes inevitable and ultimately counterproductive.
Although people want to express their deep feelings about the
political situation, what must be considered is the question of how
their objectives can be realized most effectively. Rage encourages
rage. Contempt encourages contempt.
Heller: Can light (and seeing the light) really change
minds?
Glaser: I don't know if light can really change minds.
What are our other choices?
About the Author: Steven Heller, co-chair of the Designer as Author MFA and co-founder of the MFA in Design Criticism at School of Visual Arts, is the author of Merz to Emigre and Beyond: Avant Garde Magazine Design of the Twentieth Century (Phaidon Press), Iron Fists: Branding the Totalitarian State (Phaidon Press) and most recently Design Disasters: Great Designers, Fabulous Failure, and Lessons Learned (Allworth Press). He is also the co-author of New Vintage Type (Thames & Hudson), Becoming a Digital Designer (John Wiley & Co.), Teaching Motion Design (Allworth Press) and more. www.hellerbooks.com