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Sheila Hart founded Sheila Hart Design, Inc., in January 1996,
specializing in publishing, corporate branding and marketing promotion.
She attained her degree in graphic design at the University of
Cincinnati, and then worked for many years in New York City, at such
noted firms as Vignelli Associates and Pentagram. Drawn back to
Cleveland, her home, Hart worked at Nesnadny + Schwartz before starting
her own firm. With more than 20 years of design and marketing
experience, Hart has been proud to work with a range of clients
including Aetna Life & Casualty, Amoco Corporation, Architectural
Record magazine, Brookstone, Black Dog & Leventhal Publishers,
Fairwinds Press, IngenutyFest (2007–2009), National City Corporation,
Oak Associates, On-Point Group, Progressive Insurance, The Rock and Roll
Hall of Fame & Museum, Schwebel Baking Company and The University
Publications and anuuals that have showcased her work include HOW,
Print, AIGA Graphic Design USA, Communication Arts
and Creativity, in addition to being included in several books
on design. She was featured in an article in Graphic Design USA
magazine as one of 50 people to watch in the new millennium, and was
also listed by Northern Ohio Live as one of the most influential women
in northeast Ohio.
Hart has guest lectured and taught at Kent State University,
Cleveland State University and Cuyahoga Community College. She has
served on the boards for the AIGA Cleveland chapter and NOCA (Northern
Ohio Communication Affiliates) before being named an AIGA Fellow in
Despite the connectedness of the current business world, aspiring design professionals face new challenges in the age-old problem of getting noticed, especially by the elite practitioners. George Nelson’s wit and insights helped me understand design as both a serious profession and a creative adventure. Here are a few of his choice observations and some thoughts on the special relationship we know as mentoring.
More at designandviolence.moma.org
"The Crisis of Credit Visualized" (2008), an animation designed by Jonathan Jarvis to explain the global economic crisis (and part of the AIGA Design Archives), has been featured on "Design and Violence," MoMA's experimental online curatorial project spearheaded by Paola Antonelli. Selected by the project curators, Jarvis' work is described by Gillian Tett of the Financial Times and intended as a prompt for public discussion on the site.
Section: Inspiration -
information design, graphic design, animation
AIGA is proposing transformative change to assure a robust and relevant resource for the next generation of designers. AIGA’s board of directors invites your perspective and encourages members to comment and vote on two options for the future.
AIGA Insight, governance, AIGA news
Read more at washingtonpost.com
In the AIGA Journal Volume 14, Number 2 (1996), Massimo Vignelli declared Burkey Belser’s recently released Nutrition Facts label “A Masterpiece!” Now, after almost 20 years of quiet omnipresence, the FDA information design program is getting an update and everybody’s weighing in—including Belser himself.
Section: Inspiration -
information design, government, packaging
Turner Duckworth Holiday Card 2009
It’s time to wipe the dust off that Super 8 camera & stop using cheap film-look apps. Nolab #DesignEnvy: http://t.co/If4uRwyQZu
20 hours ago
Alan Kitching’s Full Court Letterpress
Posted by Steven Heller
2 days ago from
From the reader #22
Posted by David Airey
19 hours ago from
David Airey, graphic designer
Kyle Webster has some GREAT photoshop brush packs available. Perfect for illustrators or designers working with elements rendered by hand!
Shared in Tools & Resources by
Michael Jackson's Legacy: Readers React
The New York Times
CulturePilot (Culture Pilot)
RT @aigahouston: Photos from Portfolio Review 2014 have been posted on Flickr: http://t.co/vroP7JZgbI #Portfolios #AIGAConnect #Design
17 hours ago