Forgot your username or password?
Sheila Hart founded Sheila Hart Design, Inc., in January 1996,
specializing in publishing, corporate branding and marketing promotion.
She attained her degree in graphic design at the University of
Cincinnati, and then worked for many years in New York City, at such
noted firms as Vignelli Associates and Pentagram. Drawn back to
Cleveland, her home, Hart worked at Nesnadny + Schwartz before starting
her own firm. With more than 20 years of design and marketing
experience, Hart has been proud to work with a range of clients
including Aetna Life & Casualty, Amoco Corporation, Architectural
Record magazine, Brookstone, Black Dog & Leventhal Publishers,
Fairwinds Press, IngenutyFest (2007–2009), National City Corporation,
Oak Associates, On-Point Group, Progressive Insurance, The Rock and Roll
Hall of Fame & Museum, Schwebel Baking Company and The University
Publications and anuuals that have showcased her work include HOW,
Print, AIGA Graphic Design USA, Communication Arts
and Creativity, in addition to being included in several books
on design. She was featured in an article in Graphic Design USA
magazine as one of 50 people to watch in the new millennium, and was
also listed by Northern Ohio Live as one of the most influential women
in northeast Ohio.
Hart has guest lectured and taught at Kent State University,
Cleveland State University and Cuyahoga Community College. She has
served on the boards for the AIGA Cleveland chapter and NOCA (Northern
Ohio Communication Affiliates) before being named an AIGA Fellow in
Learn more about the jurors’ thoughts on this 2013 “Justified” selection.
Section: Why Design -
More at designandviolence.moma.org
"The Crisis of Credit Visualized" (2008), an animation designed by Jonathan Jarvis to explain the global economic crisis (and part of the AIGA Design Archives), has been featured on "Design and Violence," MoMA's experimental online curatorial project spearheaded by Paola Antonelli. Selected by the project curators, Jarvis' work is described by Gillian Tett of the Financial Times and intended as a prompt for public discussion on the site.
Section: Inspiration -
information design, graphic design, animation
Today, designers are designing to
enhance understanding when form and content are conditioned by context and
impact over time. “Defining the Studio of 2015” seeks the perspectives of visionary design thought leaders
who have organized their studios—physically, technologically and
culturally—with an eye toward the future.
Section: About AIGA -
experience design, graphic design, interaction design, AIGA Insight
Milton Glaser has designed a visual way to express loyal opposition during the Republican National Convention in New York City this August. Here he sheds light on the viability of this simple idea.
Section: Tools and Resources -
interview, Voice, election design
Turner Duckworth Holiday Card 2009
Thoughts? RT @peterme: Never has digital design been in more demand. So why are many design agencies struggling? http://t.co/2tWbZ6F9Bg
16 hours ago
How Design Can Save a Reputation
Posted by Tim Brown
2 days ago from
Penguin to unveil new covers on WeTransfer
Posted by Mark Sinclair
2 days ago from
Kyle Webster has some GREAT photoshop brush packs available. Perfect for illustrators or designers working with elements rendered by hand!
Shared in Tools & Resources by
Starbucks VIA Packaging
innerspaeth (Jill Spaeth)
Balloting is closed and it’s official - I’m on the national board of @AIGAdesign! Is this what cloud 9 feels like?!?! #aigaconnect
21 hours ago