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Grant Smith is one of the three founding principals of ThoughtForm
Inc., a noted design firm in Pittsburgh. Smith operated his own design
and consulting business for three years before joining Reed Agnew and
Don Moyer to form Agnew Moyer Smith, Inc., in 1980. The firm changed its
name to ThoughtForm Inc. on its 25th anniversary.
Smith met his future business partners while working at the newly
formed Corporate Design Center at Westinghouse. As its first manager of
graphic design, Smith and his staff had corporate-wide responsibility
for upgrading all facets of Westinghouse’s visual image. Under Smith’s
direction, the company made major strides in fully implementing its
complex corporate identity program and in upgrading the design of most
Smith started his career as manager of the art department for
Lambert-Huffman Publishers. Additional experience eventually led him to
Unimark International, one of the largest and most successful design
firms operating in the 1960s. As a senior designer at Unimark, Smith
worked on major programs such as corporate identity manuals for Ford
Motor Company and Teledyne, Inc., as well as brochures, catalogues and
magazines. The Unimark experience helped develop a personal commitment
to quality that has characterized his work ever since. Following his
experience at Unimark, Smith served as art director of HIS
magazine, an award-winning publication of the InterVarsity Christian
Smith graduated from Wayne State University with a bachelor’s degree
in industrial design. Having worked his way through college with a job
in a print shop, he acquired a love and knowledge of graphic design,
which became the foundation of his career. He remains interested and
involved in three-dimensional and structural design issues.
“Eclectic” and “diverse” are perhaps the best words to describe this year’s submissions to “Justified: AIGA Design Competition.” Examining clarity of concept, quality of execution and ability to engage and inspire, the jury selected 14 works from nearly 300 submissions.
Section: Events and Competitions -
More at designandviolence.moma.org
"The Crisis of Credit Visualized" (2008), an animation designed by Jonathan Jarvis to explain the global economic crisis (and part of the AIGA Design Archives), has been featured on "Design and Violence," MoMA's experimental online curatorial project spearheaded by Paola Antonelli. Selected by the project curators, Jarvis' work is described by Gillian Tett of the Financial Times and intended as a prompt for public discussion on the site.
Section: Inspiration -
information design, graphic design, animation
Did bad judgment fell an empire? Vienne says Martha Stewart controlled everything down to the minutest detail—brilliantly—and yet one detail got away.
Section: Inspiration -
What made Lubalin‘s Avant Garde such a troubled face? Heller reports on its use and abuse.
Section: Tools and Resources -
typography, history, Voice
2009 Membership Party Invitation
It’s time to wipe the dust off that Super 8 camera & stop using cheap film-look apps. Nolab #DesignEnvy: http://t.co/If4uRwyQZu
3 hours ago
Matériel, Issue One
Chicago Design Museum to Open Permanent Gallery, Archive
Posted by Stephanie Murg
UnBeige - Where Designers Read Design
End of an Era for NYC Artists & Designers: Pearl Paint Closes
Kyle Webster has some GREAT photoshop brush packs available. Perfect for illustrators or designers working with elements rendered by hand!
Shared in Tools & Resources by
Kru Khmer Bath Salt
CulturePilot (Culture Pilot)
RT @aigahouston: Photos from Portfolio Review 2014 have been posted on Flickr: http://t.co/vroP7JZgbI #Portfolios #AIGAConnect #Design
An hour ago