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AIGA is evolving as a professional membership organization, building
on our advantages as a well-established, nearly century-old institution
and transforming to meet the needs and interests of designers today.
For the past year, AIGA has systematically sought input from members,
nonmembers, students, our national board of directors and our chapter
leaders, as well as a number of thought leaders who were specifically
assigned the task of re-imagining AIGA. This effort has involved
national surveys, small group discussions and a great deal of research
into the changing nature of communities and the purposes they serve.
We are eager to be inclusive and hear as many voices as possible,
including those who might not yet be active in AIGA, or who are seeking
means for support that AIGA does not yet provide.
“One Day for Design” was the most recent and most visible wave of
this listening campaign. On April 13, we reached out through the
existing networks of several prolific tweeters who led exchanges on the
future of design, the concerns of today’s designers and the
opportunities for design communities.
More than 3,900 people participated in that dialogue, with upwards of
30,000 tweets that day and more than 300 long-form entries posted on OneDayforDesign.org. The “One
Day” moderators—Alex Bogusky,
Doug Bowman, Liz Danzico, Debbie Millman, Erik Spiekermann, Armin Vit, Alissa Walker and Katherine Walker—were
superb, starting and recalibrating threads all day with the hashtag
#1D4D. We know there are limitations to what can be expressed in 140
characters, yet this event did offer us an invaluable opportunity to
capture a breadth of perspectives before we begin to develop our
recommendations for change.
Together with our partners in this project, the independent branding
collective VSA Partners, we
are now synthesizing the comments and discussions generated through this
event. We will share the results here as we summarize them and develop
ways for AIGA to respond.
In June, our national board and chapter leaders will review all of
this research from the past year—including the results from “One
Day”—and work with us to outline the next steps. This is the year
that AIGA will pivot toward new forms of serving the profession and its
members. Global trends, demographic shifts, fresh perspectives from
younger generations, social networks, the deep knowledge available on
the web and, most of all, the changing opportunities for designers as
those who can solve strategic problems as well as tangible ones all
contribute to the chance to create an entirely new kind of community for
Stay tuned. Next week we’ll show you a fully redesigned AIGA.org,
with more online initiatives on the way. Also, we hope you’ll join us in
Phoenix for “Pivot:
AIGA Design Conference” this October, where we’ll explore many of
the shifts others have made and predict in the world of design and well
beyond—in business, education, science, the humanities and everyday
Richard Grefé is the executive director of AIGA, the professional association for design. While guiding all of AIGA’s activities, his most significant contributions are in strategy, formulating new initiatives to enhance the competitive success of designers
and advocating the value of design to business, government and the public.
New York, NY—September 29, 2014. As the definition of
“design” continues to broaden, so too will the scope of AIGA’s biennial
design and business conference. Next month, leading
thinkers-practitioners-writers-educators will converge in New York City
at “Gain” to consider many facets of the design of business for the
New York—September 23, 2014. Next week, AIGA, the professional
association for design, opens “Dan Friedman: Radical Modernist”—a
vibrant and inspiring retrospective of a designer who pioneered New Wave
design while carving his own path from academia to corporate design,
experimental European commissions and AIDS activism in the East Village
art scene. This exhibition is organized and designed by AIGA Medalist
Chris Pullman and Laura Varrachi of LVCK Environmental Graphics with
support from Dan Friedman's brother Ken Friedman.
New York, NY—September 25, 2014. AIGA and Wacom announce the launch of “Rise & Shine,”
a new video series that goes behind the scenes of the diverse practices
of six up-and-coming communication designers. Viewers are invited to
travel across the United States with AIGA, the professional association
for design, and Wacom, the leading producer of intuitive design tools,
to visit a range of talented, emerging designers working today and find
out what fuels their creativity. The series offers a closer look at
everything from creative processes and big career breaks to the
techniques and technology they use to realize their visions.
NEW YORK—September 18, 2014. AIGA, Design Observer and Designers & Books today published results of the 2013 “50 Books/50 Covers” competition. A panel of jurors including Michael Bierut, partner at the New York design firm Pentagram; Jessica Helfand, founding editor of Design Observer; and Peter Mendelsund, associate art director of Alfred A. Knopf Books chose 50 outstanding books and 50 exceptional covers.
A brand is every piece of communication that is created to explain who you are. And this can be rarely done in one session. The brand tools are just the beginning. The process continues as it is implemented and requires a strategic partner—a graphic designer.
Section: About AIGA
Chrystofer A. Thornton
Member since 2014
Copenhagen's Frost Music Festival Has One Hot Identity
September 12, 2014
AIGA New York
Brandon S. Heim
AIGA West Michigan
AIGA New York
John D. Boran, Jr
Julie A. Cronin
AIGA St. Louis
Anna-Alicia A. Bass
AIGA Hampton Roads
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