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Editors’ note: “The Weekly Wraparound” is an editorial roundup of links to the week’s best design stories, posted every Friday by the editorial staff of AIGA.org. For recommendations all week long, follow us on Twitter at @AIGAdesign.
Today is 11/11/11, which for Spinal Tap fans and corduroy enthusiasts is the greatest day ever. Our list might not go all the way to 11, but here are the stories we’ve been following.
This week on Design Envy, graphic designer, programmer and digital artist Stewart Smith—operating under the name Stewdio—shared
what inspired him, from a gorgeous lookbook film promoting the Spring/Summer 2012 line of emerging fashion designer Charlotte Taylor
to further proof that that internet’s infrastructure was built
primarily to worship our furry friends.
do these selections rate on your envy
meter? Cast your vote—the most popular designs will become part of a
special collection in the AIGA Design Archives!
The ironically titled “Brief Rant about the Future of Interaction Design,”
by Bret Victor, was a popular post this week. He
argues that the tap and swipe features on the current touchscreen
devices are too simplistic and aren’t living up to our techno-futuristic
expectations. Until the industry is able to catch up, the battle for
tablet dominance wages on. Barnes & Noble unleashed its Nook Tablet and Dan Frommer commented, “The most impressive thing about the Nook Tablet is that it exists.” And Forbes reports that anticipation of the Kindle Fire is making iPad buyers think twice.
Amazon.com also introduced the Kindle Owners’ Lending Library: “Kindle
owners can now choose from thousands of books to borrow for free
including over 100 current and former New York Times Bestsellers, as
frequently as a book a month, with no due dates.” O’Reilly Radar says
it’s good for subscribers, but not so much for publishers and authors (or designers).
At the RGD Design Thinkers Conference last week, Jessica Hische was quoted as saying “Type designers and web designers are kindred spirits, they just don't know it yet” (source).
We think they’re starting to figure it out, though. We’re certainly
seeing web type improve at a rapid pace—this week Monotype expanded the
families of Verdana and Georgia,
improving them for the screen. And as we’ve reported before, Adobe’s
acquisition of Typekit indicates exciting things to come (AIGA is
hosting a webinar with Tim Brown of Typekit next month; learn more here.) On the Typekit blog, Ethan Marcotte wrote a great post this week on sizing text for the web (be sure not to miss the comment section too).
first reported on Tuesday by ZDNet’s Jason Perlow,
Adobe Systems will cease development of Flash on mobile devices and
increase investment in HTML5.
In a blog post on the company’s website,
Danny Winokur, Adobe’s vice president and general manager of
interactive development, said, “HTML5 is now universally supported on
major mobile devices, in some cases exclusively. This makes HTML5 the
best solution for creating and deploying content in the browser across
We all know what “cases” he’s talking about, but beyond that, as Devindra Hardawar writes for VentureBeat.com,
moving away from Flash for mobile will allow Adobe to focus more on
advancing the technology where it’s best suited, like for advanced
gaming and premium video. And, as Michael Miller writes for the PC Magazine’s
Forward Thinking blog,
the long-term benefits of HTML5 seem only to be growing: “HTML5 is
developing in all sorts of new ways, as well. Google has been working on
enabling offline access for many of its applications, such as Gmail and
Google Docs, within HTML5.”
Since 1981, Print’s
Regional Design Annual has surveyed the current state of American design by dividing the country into six regions and appointing judges to assess what’s best in each one. But with the flattening of the web,
do regions still matter? Are there variations in work from New
England versus, say, the Far West? When asked, the winners said no, but
the judges said yes. As Michael Freimuth, a Midwest judge, put it on mydesignshop.com:
“Regions still matter in the sense that they comprise creative
communities. There's quite a lot more to our business and world than
servicing clients—becoming an integrated and active member of your
creative community is huge. You can’t ignore your immediate
surroundings.” Learn more about the latest annual, now available for order, here.
Sunday Geoffrey Mutai became the first person to run record times to
win both the Boston and New York marathons in the same year, and we’re
pretty sure Christoph Niemann became the first man to illustrate a
marathon while running it. See all 46 of his sketches, capturing the big
(crossing the finish line!) and the small (where’s the cap to my pink
marker?) moments over 26.2 miles.
Eighty-six years after its debut, The New Yorker has hired its first creative director,
Wyatt Mitchell. He’ll be using his experience as Condé Nast’s digital
magazine design director to give the title a coherent look across
platforms, from hardcover books to the iPad. Though editor David Remnick
will still control magazine covers and cartoons. (We wouldn’t give
those up either!) As the New Yorker advances its design, we were reminded of an oldie but goodie by Michael Bierut on the magazine’s “slow design.”
There’s no shortage of strong opinions on the internet, but TwoSides
makes debate civil. Voting on issues is fun, and the visualizations are
appealing too. For example, now’s your chance to settle the score: double or single spaces after a period?
Want to debate our selections? Tell us what we missed in the comments.
Compiled by Sue Apfelbaum and Rasika Welankiwar
Seven billion people on the planet, illustrated Food Rules, the power of data, 30 covers in 30 days, the new Google Reader and how The Onion is saving print—these are our stories of the week.
A designer’s ideal skill set, Design Envy picks from WeShouldDoItAll, the jobs poster contest, An Event Apart, an honest look at what Michael Bierut loves about design, great artists stealing and Christoph Niemann’s illustrations for the Art Directors Club Hall of Fame Gala are our top
stories this week.
Brooklyn Beta, a big week for type, Design Envy picks from
Christopher Sergio and Laetitia Wolff, National Design Week, a lesson in
sensitivity, TED speaker Kevin Slavin’s take on screens, the new iPad-friendly
Instapaper and the most popular image in Getty’s Flickr collection are our top
stories this week.
Read more at forbes.com
Reflecting on "A Collection of Ideas" (on view at MoMA until January 11, 2015), exhibition reviewer Jonathan Keats observes how the dramatically simple arcade video game Pong exemplified principles of interaction design—more than a decade before the term was coined.
Section: Inspiration -
Michael Cronan is a 2014 AIGA Medalist and will be honored at The AIGA Centennial Gala on Friday, April 25 in New York City.
Section: Inspiration -
branding, communication design, identity design, print design, corporate design, AIGA Medal, logos
Striking a balance between accessible and sophisticated, this campaign for a Bay Area arts institution sought to attract area audiences that might be curious about art but intimidated by high culture. “Friendly hip, not hipster hip” was a guiding principle.
Section: Why Design -
advertising, communication design, environmental design, experience design, graphic design, marketing, nonprofit, print design, user research, Competition, mass communication, posters, print advertising, signage, culture, diversity
George Nelson, a furniture designer at Herman Miller during its post-war glory years and the founder of Industrial Design magazine, practiced a variety of design disciplines during his 50-odd-year career. His formal training was in architecture. He also excelled in several professions requiring skills of articulation seemingly removed from those of design: He was a reporter, an editor and an essayist. In 1992, he was awarded an AIGA Medal.
Section: Inspiration -
industrial design, architecture, AIGA Medal
When I look back on periods in my life where I struggled to prove myself, and reach the next rung on the ladder of my career, it's amazing to me to discover how much of what I went through then, I am still going through today.
Section: Inspiration -
advertising, corporate design, personal essay, mentoring
I Like Music Logo(s)
visualsenseie (rowena doyle)
Paris Window via @pinterest love this #design #windows http://t.co/1KduGgBFXS
17 minutes ago
Catalone Design Co. Promotional Video
Catalone Design Co., LLC
Converse: An Evening with R2integrated
March 11, 2014
Behind the Scenes: February’s Open Board Meeting
March 09, 2014
Misty Bourdess Wilt
Denver Center Theatre Company 2009-10 Season Poster Series
Do Good Design
AIGA Design Archives
Second Story Interactive Studios
Parker Marketing Identity