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Could something as simple as the font size on a paper ballot make all the difference in elections? AIGA thinks so.An AIGA Design for Democracy team, led by Dana Chisnell of UsabilityWorks, Drew Davies of Oxide Design Co. and usability expert Whitney Quesenbery, has been working with local election officials to identify and address problems with election design, focusing especially on ballot design this year. Case in point: New York State voters were recently faced with ballots printed in 7-point type—a size that is difficult to read, even for those of us who don’t wear glasses. But this issue will be rectified come November, thanks to a vote by the city’s Board of Elections to increase the font size of candidate names on the general election ballot to 9-point type, as reported by the New York Times. It isn’t quite the 12-point size recommended in the Voter Friendly Ballot Act—a bill sponsored by New York State Assemblyman Brian Kavanagh and based upon recommendations from Design for Democracy, the Usability Professionals Association and the Brennan Center for Justice—but it’s a significant improvement.Of course, for every election design victory there are dozens of ongoing volunteer efforts, some of which will take months, years or even decades to come to fruition. As Design for Democracy director Drew Davies points out, “It’s a daunting task working within a complex system of national, state and county election structures and navigating legal hurdles—but that’s also what makes it so rewarding when we do accomplish something like this.” It’s also one of the reasons Design for Democracy created a set of Top 10 Election Design Guidelines, which will serve as a reference guide for election officials throughout the United States for years to come. Those guidelines, along with other election design best practices, were recently published as a set of Election Design Field Guides—pocket guides for election officials and ballot designers that are available on AIGA.org.
Even with all these efforts, most people probably won’t think about election design when they go to the polls this season. And that’s the whole point, says AIGA Executive Director Richard Grefé: “When ballot design works well, you won’t notice a thing because you’ll be focused on voting, not the process.” Learn more about AIGA Design for Democracy efforts at aiga.org/design-for-democracy.
AIGA communicates with the public through a variety of channels. Look here for press releases, news announcements and information on AIGA’s current programs and events.
Section: About AIGA -
Design for Democracy applies design tools to increase civic participation by making interactions between the U.S. government and its citizens clear.
Section: Why Design -
ballot, election design
Not to be confused with our top 10 election design
guidelines , which are largely geared toward election
officials (though we hear designers find those helpful too), the
intention of this list is to help new ballot designers become more
familiar with the domain of U.S. elections and to set expectations
about what the ballot design process might entail.
New York, NY—September 29, 2014. As the definition of
“design” continues to broaden, so too will the scope of AIGA’s biennial
design and business conference. Next month, leading
thinkers-practitioners-writers-educators will converge in New York City
at “Gain” to consider many facets of the design of business for the
New York—September 23, 2014. Next week, AIGA, the professional
association for design, opens “Dan Friedman: Radical Modernist”—a
vibrant and inspiring retrospective of a designer who pioneered New Wave
design while carving his own path from academia to corporate design,
experimental European commissions and AIDS activism in the East Village
art scene. This exhibition is organized and designed by AIGA Medalist
Chris Pullman and Laura Varrachi of LVCK Environmental Graphics with
support from Dan Friedman's brother Ken Friedman.
New York, NY—September 25, 2014. AIGA and Wacom announce the launch of “Rise & Shine,”
a new video series that goes behind the scenes of the diverse practices
of six up-and-coming communication designers. Viewers are invited to
travel across the United States with AIGA, the professional association
for design, and Wacom, the leading producer of intuitive design tools,
to visit a range of talented, emerging designers working today and find
out what fuels their creativity. The series offers a closer look at
everything from creative processes and big career breaks to the
techniques and technology they use to realize their visions.
NEW YORK—September 18, 2014. AIGA, Design Observer and Designers & Books today published results of the 2013 “50 Books/50 Covers” competition. A panel of jurors including Michael Bierut, partner at the New York design firm Pentagram; Jessica Helfand, founding editor of Design Observer; and Peter Mendelsund, associate art director of Alfred A. Knopf Books chose 50 outstanding books and 50 exceptional covers.
This task force is charged with reviewing the role AIGA might play in recognizing, communicating and advocating remarkable design that has emerged from the graphic design tradition—experienced in many media and forms today.
Section: About AIGA -
Sarah T. Dulle
Member since 2012
Viva La Revolución Part II: Fernando Gaverd
October 21, 2014
AIGA New York
Richard J. Merwarth
AIGA San Francisco
Tara C. Morris
AIGA Los Angeles
FRANCISCO J. ROJAS
AIGA San Antonio
AIGA West Michigan
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