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Joseph Michael Essex is a critical thinker who hates the “s” that
many people put at the end of the word “communication.” He believes
communication is a singular process governed by how human beings accept,
store and access information. While the methods for delivering
information are varied, the function of preparing, packaging and
presenting a message is fundamentally the same. This propensity of his
to examine and test the most basic of assumptions forms the core of his
evaluative and creative process. That process is guided by the following
questions: What do you want to have happen, to whom do you want it to
happen, and what results do you expect? Since graduating from Virginia
Commonwealth University in 1970, Essex has asked questions that provide
meanings, reasons and guidance as well as answers.
Before co-founding Essex Two, in 1989, with his partner, Nancy Denney
Essex, he was senior vice president, director of design for
Burson-Marsteller World Wide and director of visual communication
planning for the 17 offices in the Americas. He has received hundreds of
awards, from major communication publications and organizations in the
United States, Europe and Asia, including medals from the New York Art
Essex became a member of AIGA in 1972, and in 1985 he was part of a
small group that formed the Chicago chapter. He has been on the chapter
board in one capacity or another since that time. In 1998 AIGA Chicago
presented him with its Above and Beyond Award for his extraordinary
service to his profession and the organization.
His fine art and commercial posters are in museum collections
throughout the world, including the Museum of Modern Art in New York
City. He has lectured extensively to student and professional groups on
the business of communication and his own design process.
IDEO.org’s first class of
fellows, changes afoot at Facebook, a defense of social design as a player to
watch, the importance of demystifying the design process, Tali Krakowsky’s
curation of Design Envy, Chris Dixon's goodbye to New York magazine and the question “To web, or not to web?” are our top
stories this week.
Game designer Nicole Lazzaro explores how certain feelings create dynamic engagement, and explains how designers can tap into deeper emotional experiences using the “Four Keys to Fun” at “Head, Heart, Hand: AIGA Design Conference.”
Section: Inspiration -
Web lessons from 2011, the Protester, buzzwords to avoid, HP’s new logo, pop stars’ personalities in percentages, Design Envy picks from Diana Hong, interviews galore, censoring the internet and extreme long-term planning—these are our stories of the week.
We’ve all heard the joke about a client saying that their nephew could just make them a logo—but we’re also wary of the idea of certifying designers. I’ll agree that a certification isn’t inherently valuable—you need to have the work to back it up. I believe that AIGA is best positioned to certify designers. But what would that look like?
Section: Tools and Resources
Substance of Things Not Seen
frog design, inc.
New positions on AIGA Design Jobs: Gensler in Seattle, Two Twelve in NYC, Axiom in Houston & L7 Creative in San Diego http://t.co/zdGIV2kumC
2 days ago
Carmen Virginia Grisolia
Compostmodern 09 conference campaign
kate spade new york packaging program
kate spade new york
2010 Studio On Fire Letterpress Calendar
Studio On Fire