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Joseph Michael Essex is a critical thinker who hates the “s” that
many people put at the end of the word “communication.” He believes
communication is a singular process governed by how human beings accept,
store and access information. While the methods for delivering
information are varied, the function of preparing, packaging and
presenting a message is fundamentally the same. This propensity of his
to examine and test the most basic of assumptions forms the core of his
evaluative and creative process. That process is guided by the following
questions: What do you want to have happen, to whom do you want it to
happen, and what results do you expect? Since graduating from Virginia
Commonwealth University in 1970, Essex has asked questions that provide
meanings, reasons and guidance as well as answers.
Before co-founding Essex Two, in 1989, with his partner, Nancy Denney
Essex, he was senior vice president, director of design for
Burson-Marsteller World Wide and director of visual communication
planning for the 17 offices in the Americas. He has received hundreds of
awards, from major communication publications and organizations in the
United States, Europe and Asia, including medals from the New York Art
Essex became a member of AIGA in 1972, and in 1985 he was part of a
small group that formed the Chicago chapter. He has been on the chapter
board in one capacity or another since that time. In 1998 AIGA Chicago
presented him with its Above and Beyond Award for his extraordinary
service to his profession and the organization.
His fine art and commercial posters are in museum collections
throughout the world, including the Museum of Modern Art in New York
City. He has lectured extensively to student and professional groups on
the business of communication and his own design process.
Is the government using graphic design to incite panic for political profit? Vienne looks at the color-coded alert system and sees red. Milton Glaser says “give puce a chance.”
Section: Tools and Resources -
information design, Voice, safety
More at designandviolence.moma.org
"The Crisis of Credit Visualized" (2008), an animation designed by Jonathan Jarvis to explain the global economic crisis (and part of the AIGA Design Archives), has been featured on "Design and Violence," MoMA's experimental online curatorial project spearheaded by Paola Antonelli. Selected by the project curators, Jarvis' work is described by Gillian Tett of the Financial Times and intended as a prompt for public discussion on the site.
Section: Inspiration -
information design, graphic design, animation
Abbott Miller is recognized with a 2014 AIGA Medal for design that elevates culture, fusing content and form through elegant and incisive publications, exhibitions and identities.
Section: Inspiration -
book design, communication design, editorial design, environmental design, exhibition design, graphic design, identity design, AIGA Medal
AIGA is proposing transformative change to assure a robust and relevant resource for the next generation of designers. AIGA’s board of directors invites your perspective and encourages members to comment and vote on two options for the future.
AIGA Insight, governance, AIGA news
IZZE You’ll Love What’s Inside Campaign
It’s time to wipe the dust off that Super 8 camera & stop using cheap film-look apps. Nolab #DesignEnvy: http://t.co/If4uRwyQZu
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The L!brary Initiative
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From the reader #22
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David Airey, graphic designer
Kyle Webster has some GREAT photoshop brush packs available. Perfect for illustrators or designers working with elements rendered by hand!
Shared in Tools & Resources by
Measure Me Stick
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RT @aigahouston: Photos from Portfolio Review 2014 have been posted on Flickr: http://t.co/vroP7JZgbI #Portfolios #AIGAConnect #Design
5 hours ago