Constructions and Reconstructions by Norman Ives

Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)
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Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)

Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)

Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)
.jpg)
Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)

Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)

Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)

Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)
.jpg)
Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)

Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)

Norman Ives, Constructions and Reconstructions exhibition (Photo: John T. Hill)
September 18–November 21, 2007
Just as there are few athletes who excel in more than one
professional sport, it is also rare for artists to be honored in
diverse fields. In 1967, the Museum of Modern Art selected Norman
Ives for its Three Graphic Designers exhibition; the same year, the
Whitney Museum included one of Ives's paintings in its prestigious
Annual Exhibition of Contemporary American Painting. Both
inclusions exemplify his range and dexterity as an artist.
A student, teacher, designer, publisher and artist, Ives was an
instrumental figure at the Yale School of Art during its
ascendance. Paintings, collages, bas-reliefs and murals were his
passion. Letterforms became his lyrical strokes, their construction
and reconstruction defining his work. This exhibition reflects the
sophistication of form found in his design and fine-art
creations.
AIGA Gallery,
mezzanine, hours and directions.