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Established in 1998, AIGA Design for Democracy applies design tools and
thinking to increase civic participation by making interactions between
the U.S. government and its citizens more understandable, efficient and
trustworthy. Independent, pragmatic and committed to the public good,
Design for Democracy collaborates with researchers, designers and
policy-makers in service of public sector clients and AIGA’s goal of
“demonstrating the value of design by doing valuable things.”
and election design
Since 2000, Design for Democracy’s ballot and election design project has worked to make voting easier and more accurate for all U.S. citizens. Recent accomplishments include the “Field Guides To Ensuring Voter Intent” to help county election officials design ballots, write instructions for voters, test ballots
for usability and create effective poll worker materials.
Out the Vote
Every four years AIGA invites members to create nonpartisan posters and videos to inspire the American public to vote. All posters from AIGA’s 2012 Get Out the Vote campaign are available online in PDF format for you to download,
print and hang in your town, and we encourage you to share video and poster
entries with your friends, colleagues and social networks.
Resources for designersIndividual designers and local AIGA chapters can make a difference! Learn how.
Next steps for government officialsAs government looks for ways to be more accessible, transparent and
efficient, Design for Democracy can help.
Designers who work with the subject food are often called “food designers.” According to Marije Vogelzang, food is already perfectly and beautifully designed by nature. She designs from the verb “to eat.” Inspired by the origin, preparation, etiquette, history and the culture of food, she calls herself an “eating designer.”
Section: Why Design -
Conference , business
This has been one of the most popular questions I’ve received so far,
and goes to show the how high the demand for UX designers and UX design
Section: Tools and Resources -
data visualization, interface design, user experience, digital media, professional development, advice
Even though the design industry is rapidly changing, the inherent value of design thinking is not. Designers observe changes in behavior, ritual, culture and technology, gathering insights and converting them into tangible, purposeful experiences. To create the ideal studio of the future, we must apply this rigorous problem-solving methodology to our own design practices.
Section: Inspiration -
design thinking, experience design, ROI, strategy, creativity
Mohawk knew that they needed to redefine their perspective on paper in a progressively digital world. What was briefed as a campaign for Superfine soon evolved into an investigation of Mohawk as a brand and how the company and paper itself are culturally relevant.
Section: Why Design -
branding, Competition, craft
External Resources (cont.)
The Bold Italic
Ceci New York