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I am a sophomore going into Graphic Design, and right now I am trying to look at summer opportunities for studying abroad.
I was hoping that I could glean some information from you all about where you think the best places to study abroad are, or what are some of the best schools outside of the US.
I've finished a project with a broadside accordian fold, flat 21x34, finished 10.5x4.25. Sent it to the printer my client wanted and the proof that they sent back was a mess. It was .25" short on the width and height, and the panels were folded in a variety
of widths. I marked up the proof & sent it back, requesting an accurate proof that demonstrates they can do the job. I just received an email asking me to approve the job and promising that they will do it right, but they can't provide an accurate folded proof
because of the proofing paper. In 20 years, I've never had a printer suggest that I approve a job without an accurate proof. Especially when the job involves folds. You have to see that everything lines up on the equipment that is being used. Has the printing
business changed this much with PDF proofs and online ordering that a complex job doesn;t receive a good quality proof? Please give me your opinions, because I'm concerned that the client will shrug and say OK. Thanks!
Hello everyone! I have a technical questions that has been driving me crazy, and probably has a very simple solution. Whenevner I create a document in Indesign that has a stroke added to any of it's text then save it as a PDF and upload it online to a digital
library such as Scribd, it's like the stoke doesnt line up with the text and the outcome is awful and not readable. Suggestions?
Hello fellow design fanatics - I'm a UXer in New York City open to networking and learning. Contact me if you're looking for someone empathetic and design-y.
Dutch newspaper De Volkskrant asked Lernert & Sander to make a photograph for their documentary photography special, with the theme food. The solution was a transformation of unprocessed food into perfect cubes of 2,5 x 2,5 x 2,5 cm. A simple and clever visual input in the debate of processed...
Presenting Sponsor: Adobe
From Zimbabwe to Switzerland to Zambia and, finally, the United States, graphic designer and educator Chaz Maviyane-Davies pushes the
boundaries of social justice through his work.
Section: Inspiration -
Design Journeys, graphic design, packaging, print design, posters, diversity, design educators, students
Game designer Nicole Lazzaro explores how certain feelings create dynamic engagement, and explains how designers can tap into deeper emotional experiences using the “Four Keys to Fun” at “Head, Heart, Hand: AIGA Design Conference.”
Section: Inspiration -
Conference , AIGA Design Conference
UX/UI DESIGNERClockwork Active Media
Minneapolis, MinnesotaJune 22 2015
Updated portfolio of designer/animator Daniel Coutinho, member of AIGA! Excellent montage of motion graphics: https://vimeo.com/133424211
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