I am a sophomore going into Graphic Design, and right now I am trying to look at summer opportunities for studying abroad.
I was hoping that I could glean some information from you all about where you think the best places to study abroad are, or what are some of the best schools outside of the US.
I've finished a project with a broadside accordian fold, flat 21x34, finished 10.5x4.25. Sent it to the printer my client wanted and the proof that they sent back was a mess. It was .25" short on the width and height, and the panels were folded in a variety
of widths. I marked up the proof & sent it back, requesting an accurate proof that demonstrates they can do the job. I just received an email asking me to approve the job and promising that they will do it right, but they can't provide an accurate folded proof
because of the proofing paper. In 20 years, I've never had a printer suggest that I approve a job without an accurate proof. Especially when the job involves folds. You have to see that everything lines up on the equipment that is being used. Has the printing
business changed this much with PDF proofs and online ordering that a complex job doesn;t receive a good quality proof? Please give me your opinions, because I'm concerned that the client will shrug and say OK. Thanks!
Hello everyone! I have a technical questions that has been driving me crazy, and probably has a very simple solution. Whenevner I create a document in Indesign that has a stroke added to any of it's text then save it as a PDF and upload it online to a digital
library such as Scribd, it's like the stoke doesnt line up with the text and the outcome is awful and not readable. Suggestions?
Hello fellow design fanatics - I'm a UXer in New York City open to networking and learning. Contact me if you're looking for someone empathetic and design-y.
The author of Afrikan
Alphabets, a comprehensive review of African writing
Mafundikwa is a maverick visionary who left a successful
design career in New York to return to his native Zimbabwe and open
the country's first school of graphic design and new media.
Section: Inspiration -
Design Journeys, graphic design, print design, typography, culture, diversity, international, sustainability, design educators, students
This talk attempts to set the tone for the
conference by looking at different dimensions of the “value equation”
for design. Robert Fabricant drew from his personal experience at
frog, working with partners like GE and UNICEF to explore different
notions of value within design.
Section: Events and Competitions -
Conference , Design for Good, Gain conference, social responsibility, strategy, business, innovation
Dorothea d-ro Lee
Northville, New YorkNovember 4 2015
Alt Group Limited