From Voice ~ Topics: evacuation/disaster, illustration

Gulf Coast Report: One Year After Katrina

In Southern Louisiana, nature and man live together both peaceably and at odds. These are classic themes. I just watched one of our many hummingbirds feed. They regularly vie for food with the wasps and the chameleon or green gecko who drink the sugar water in the feeder on the other side of the window to my immediate right. Great beauty exists alongside crashing fright. The clouds behind the Columbia Pictures logo are our clouds, painted after the sky and horizon on Lake Pontchartrain. John James Audubon painted here, as did Edgar Degas.

This is August 2006—hurricane season. My husband and I moved here two years ago and the awful storms of 2005 are now part of our mutual lives. I shall probably remain in Louisiana for the rest of my natural life. What attracted and keeps me here is something I no longer find in the rest of my geographic home, America. Curiously, it is the reason I became a member of AIGA.

To understand the context in which I write, I need to give my background. I was born in Detroit in 1954 and earned my BFA in design from Kansas City Art Institute. I received an MFA in graphic design from Hartford Art School then immediately moved to New York City in 1978. Before figuring out that graphic design was “it” for me, I spent some interesting years at Grey Advertising and the PUBLICIS agency before working in my own design firm. I lived and worked in New York City for over 27 years. During that time it was not necessary for me to join any organization because the City itself was my network.

Once I moved to a much smaller place I came to understand the virtue of organized networking. A network is a family, and family is a mighty force. It is for this reason that I respect southern Louisiana, my adopted home.

Down here the influence of family is palpable; its force real.

Heritage is strength, and I envy the Louisiana culture because of this. The percent of residents who live near where they were born is higher here than in any other state in the nation. Families can trace their roots way back, and of this, they are enormously proud. Locally, I am at a loss to argue for spending almost $300 to join a virtual community (like AIGA) when a real one is right next door. Yet, as a New Orleans board member I try.

In my life, I have seen neighborhoods disintegrate, and family structure disappear. In southern Louisiana, family and community thrive. The environmental and social pressures associated with my new home are well documented and remain controversially so—with a few exceptions, I have chosen to give an emotional report upon what I am currently seeing and feeling. Life is complex. Louisiana is very different from the rest of the continental United States. Understanding this region takes human empathy and spirit that I fear most of us have forgotten or just plain lost.

People visiting New Orleans are awed by the magnitude of destruction. Even now, a year after the storms, there is mile upon mile of debris, open shells of uninhabitable houses and fields of weeds where neighborhoods once stood. I wanted to make the visual equivalent of a sound bite to describe the enormity of this. Working with Michael Wyshock, Assistant Professor of Art, SUNY Oneonta and Dr. Stephen A. Nelson, Department of Earth and Environmental Sciences, Tulane University, I was able to come up with the following: if you take the area affected in the gulf coast from Port Arthur, Texas through southern Louisiana, Mississippi and into Alabama—superimpose it on the Eastern Seaboard over Richmond, Virginia, through Washington, D.C., Baltimore, Philadelphia, New York City continue north just shy of Hartford, Connecticut—you will see how much land was impacted and/or destroyed.

In time, I will actually draw an illustration of this so that everyone will be able to see the area of destruction and persistent woes created by the events surrounding hurricanes Katrina and Rita during the summer of 2005. As designers we are gifted with the ability to visualize concepts from words and make them into pictures. From my description, alone, I am hoping that my peers and colleagues will be able to picture the scale of our loss on their own.

Notes and resources
  • For more about the region, I recommend searching for the work of Bob Marshall has authored more than 60 articles about these subjects. He has been a staff reporter for the New Orleans Times Picayune newspaper covering the outdoors and environmental issues for over 30 years.
  • Bayou Farewell by Michael Tidwell and articles by him on this subject. Also, from Motherjones. And, from The New Yorker, February 27, 2006.
  • A virtual tour has been compiled by Dr. Nelson.
  • An animated graphic of the floods.
  • AIGA New Orleans has links and information on the website.
  • About the Author: Nancy Sharon Collins owned and operated the graphic design firm Nancy Feldman Studio in New York City from 1978 to 2004. Clients included Williams-Sonoma, Clinique, Waterford Wedgwood, Prescriptives, Revlon, Charles of the Ritz, Curve fragrance, The Metropolitan Museum of Art, The Metropolitan Opera Shop and the Museum of Modern Art. Her specialty is print media and two-dimensional imaging. Mrs. Collins is a partner in Collins Print & Imaging. Currently she is education director of AIGA New Orleans, a member of the AIGA Katrina Relief Task Force, the AIGA Mentoring Task Force and teaches graphic design and typography at Louisiana State University. Her personal research is in a very narrow field: hand engraved social stationery, which is becoming a lost art. On this, one of her favorite topics, she lectures, designs for private commissions and works with die engravers and pressmen across the country. Mrs. Collins presented her engraving workshop at the 2005 AIGA Conference in Boston and at the 2006 TypeCon Conference also on Boston. Last season she was instrumental in bringing down the Mbulance Design Relief Vehicle and is a contributor to The Hurricane Poster Project.

    1. link to this comment by William Golden Wilkins Mon Sep 11, 2006

      I fail to see why we're talking about this now, on the 5 year anniversary of the 9/11 tragedy, as opposed to talking about it on the actual anniversary of Katrina, which has of course passed.

      I'm not saying that Katrina was not tragic-it absolutely was-but talking about one tragedy on the 5 year anniversary of a different one strikes me as being insensitive to the victims of both.

    2. link to this comment by Joe Moran Tue Sep 12, 2006

      Mr. Wilkins is completely right.

      Shame on AIGA national for missing the boat.

    3. link to this comment by Bill Klingensmith Tue Sep 12, 2006

      Dear Colleagues,
      Not once did I read in Ms. Collins article mention a comparison of significance to 9/11. Both events are significant tragedies that have disrupted the people of this country. (Some more than others, obviously) The thing that I find extremely insensitive is the pointing of fingers and selfishly embarrassing the AIGA with such response.

      AIGA and its active members have made numerous altruistic efforts to “HELP” victims of both events and to use “Design for Good”. - AIGA Design Initatives , Freedom and Justice and 9/11 Design Gallery .

      Have you asked yourself what are you doing currently to continue helping the victims of 9/11 or Katrina?

      The majority of Americans do not comprehend the destruction of the hurricanes and how it still affects it residents who have returned or those who are now permanently displaced. Again, there are still hundreds of thousands of Americans who struggle. How do I know? I recently saw it for myself in August '06.

      The question about timeliness you pose for the release of the article is absolutely of no relevance to the disrespect to the remembrance in 9/11.

      I commend AIGA for allowing its own affected member to have a voice as they rebuild their lives and their communities.

    4. link to this comment by Michael Nix Tue Sep 12, 2006

      Am I missing something here? I lived in New Orleans for six years until I evacuated with thousands of others and am still displaced in Chicago... I love this place, but that's not why I'm commenting on this post.

      How is this article a "Gulf Coast Report" at all? It lightly touches on one small aspect of Louisiana family life, but mentions very little on anything specific past the author's own experience.

      Mr. Klingensmith says "I commend AIGA for allowing its own affected members to have a voice as they rebuild their lives and their communities" but I must admit this article does not speak for the 20 or so designers, muchless hundreds of friends, I know from New Orleans that have lived there much longer than 2 years. Maybe next time AIGA will find someone who deserves such an editorial opportunity.

    5. link to this comment by steven heller Tue Sep 12, 2006

      VOICE is a journal of ideas sponsored by the AIGA for the benefit of all who read and involve themselves in it. While we sometimes journalistically peg our stories to the news, we also run pieces that have relevance above and beyond a particular time or place. As editors we believed this story touched chords. It is worthy of publication. We are glad to have published it.

    6. link to this comment by Claire D. Thomas Tue Sep 12, 2006

      First of all the article is about networking. Second it's about Nancy's personal life which she is now living in post Kartrina Louisiana. She lived through 9/11 and is still living through the aftermath of Katrina. The fact that she is writing about her experiences in the here and now in no way diminishes what happened 5 years ago. She is using Louisiana's love of family as a metaphor for networking. This is not a political statement. It is rather a view of life, why networking is so relevant, and why AIGA is such a great organization.

    7. link to this comment by Maria Etkind Thu Sep 14, 2006

      Maybe the article should've of been titled differently.

      Maybe the article should've of been published on Sept 12 or August 29.

      Maybe none of that matters because to share your feelings and thoughts after experiencing something like Katrina or 9/11 should be enough.

    8. link to this comment by Katherine Montelaro Thu Apr 26, 2007

      I enjoyed this article and related to Ms. Collins points. I was born and raised in New Orleans. Four months after Hurricane Katrina I moved to New York and now I am homesick. To me the hummingbird feeder represents my Louisiana. The hummingbirds, wasps, and geckos are the people who call Louisiana home. We are all different “species”, different backgrounds, different religions, different races and income levels. The sugar water in the feeder is that sweet special something that makes me long for my hometown. Thank you for writing this article Ms. Collins and keep up the good work.

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