From In-house Design ~ Topics: inhouse issues, studio management
Can In-house Design Departments Be Respectable?
A significant percentage of the design community works in-house at large corporations. The designers, illustrators and photographers who choose to work in those departments do so for the opportunity for structure, benefits, predictable hours, career paths and greater collaboration.
If you doubt that a large percentage of designers are working for in-house firms, attend a conference at DMI, AIGA, HOW, SEGD or myriad others, and just look at the attendee list. In spite of their numbers, they are underserved in some ways. All the design topics are applicable, but there is very little advice available on how to run a creative department. How should it be structured? What systems will ensure good work that is also timely? How should that department be marketed?
You weren’t expecting that last one, were you? “Market an in-house department?” you ask. They have a built-in customer, don’t they? What would marketing do for them?
Regardless of the setting, marketing is about control, not growth. It’s about controlling the kind of work you get, when you get it, what they think of you and how valued a partner you are. And it is precisely for these reasons that in-house departments must start to take their own branding seriously.
In my consulting experience I know this for a fact. No matter why they call seeking help, the word “respect” always seems to creep into the conversation. In-house designers continually express concern about why their opinions are not valued, why they are given very little time to get work done, why the plum jobs get sent to outside boutique shops and why there seems to be little appreciation for what they do.
What follows, then, are six suggestions to enable in-house departments to become valuable partners to their internal clients.
1. Survey internal clients
You do have clients, right? You must think about them this way, and part of not taking them for granted means surveying them regularly to quantify how well you are doing. You might not be doing this already because you fear the results, but asking for feedback is actually more important than the feedback you get. In other words, you get mileage just from asking.
Whether you do it yourself or use an outside consultant, here are some questions you might ask:
- You are currently working or have worked with other departments and firms. Was there something about that experience that you wish we would incorporate into our working relationship with you? In other words, can you suggest one or two things we could learn from our competitors?
- In terms of your daily contact, do you think that person does a good job at keeping you informed, asking the right questions and guiding the project in such a way that you can relax knowing that it’s in good hands?
- As a partner, do you think we provide the appropriate amount of strategic leadership? In other words, is your department significantly more successful because of the thinking that we are doing on your behalf?
- Is there a looming challenge in your department this year that we can help you overcome in a manner in which we have not worked together before? In other words, how can we change our service or product offerings to keep pace with what you might be facing?
Compare your results each year and watch for trends, using the information to enhance particular service policies. But in addition to this yearly written (or web-based) survey, the manager of the department should check in with each client individually, whether informally, as they happen to pass in the hallway, or more directly via a phone call. The bottom line is: are you sending signals that you take their business for granted or do they fully understand that you want their business and appreciate the opportunity to make a difference?
2. Understand your own branding
Have you ever stopped to think about what it is that makes you valuable to your internal clients? If you are thinking “cheap” and “handy,” shame on you. CFO types who decide to bring all that work in-house often justify the decision on that basis, and they even continue to evaluate your continued existence as a department in that manner.
But it’s wrong. The most valuable independent creative firms are those that are specialized, focused and narrow in their approach. They use category experience or practice areas to highlight their expertise, and when they are pitching against generalist firms, they can almost always win because prospective clients want experts, not generalists with A.D.D.
That positioning should transfer to your department, too. Your value to internal clients should be primarily this: your specialization in understanding what that company does. You know the product or service, you know the buyers of that product or service, you know the competitors. You are an expert.
And yes, you are also efficient, timely and cost-effective, but that’s a very dangerous positioning on its own. The studies we’ve done have not demonstrated that you are cheaper than using an outside provider, long term. But regardless of that, there will always be someone willing to do it quicker or cheaper, so start thinking of yourself instead as a built-in expert. And then protect that expertise by only doing work that’s a good fit for your skills, finding outside partners for the remainder. You have to learn to say no while preserving your relationship as a team player.
3. Deliver and plan
While it’s not so common to do so, be sure that you pay appropriate attention to those who interface with your “clients” and those who do the equivalent of account planning for them.
Account executives, or what I call Deliverers, are very capable people. They are organized, forthright, helpful and good at managing relationships. Most importantly, they know exactly what questions to ask to gather all the information necessary so that those working on their behalf have everything at their disposal to do great work. Find good ones and make sure they are trained well.
Account planners are those who actually guide projects strategically. Many in-house departments are involved more in implementation than strategic guidance, but that’s a mistake. You need experts in marketing and branding on your staff, just as standalone creative service providers have on theirs.
4. Develop internal systems
To serve your internal “clients” well, you need to treat them like real clients. That means having a good timekeeping system, honest predictions of cost and delivery schedule, frequent updates initiated by you, a standard intake procedure so that good work is done out of the gate, and good tracking systems that will mean real-time updates of your progress.
5. Use a chargeback system
Money is the currency of respect, and unless you are exchanging work for money, you aren’t garnering the respect you should. In case you aren’t aware of it, many in-house departments have “charge-back” systems in place in which client departments establish budgets at the outset of the year, and then transfer funds from department to department (on paper only) as each project is complete. Almost every company does this for hard costs (any outside service like printing, photography, etc.) but some do it for soft costs, too, based on an hourly rate established at the outset.
While it might be terrifying to consider a charge-back system, all it does is introduce some accountability on both sides, resulting in greater respect all around. Consider these benefits:
- It limits asinine requests. If kids didn’t have to pay for anything on the candy rack, no tough choices would be necessary. Force internal clients to allocate their dollars wisely and the requests you see won’t be as silly.
- It promotes planning by forcing them to do a budget. Better yet, impose discounts for early requests and higher rates for last minute requests and you might be surprised at how many fewer rush requests you get!
- It provides accountability for you. If clients are “paying for” what they get from you, they expect a bit more for their money. This is a good thing for you and them.
- It clarifies the choice between using you and an outside option. Some companies require all work to be done, or at least managed, by the in-house department. Others let the internal “clients” choose, and in those cases you want their choice to be informed by expertise more than cost.
6. Draft your own marketing plan
From your own experience and the ideas I’ve just shared, you already know if your in-house department has a positioning problem. Besides the suggestions above, you might think about implementing your own marketing plan. If your internal clients only assume they’ll be using you, consider yourself taken for granted.
But there are some things you can do about it. First, publish a quarterly newsletter talking about what you’ve done, how you did it and how successful it was for another department. Include a section with trends in marketing, with particular emphasis on marketing within the product or service niche served by your company. You might even feature a different “client” in each issue.
Second, push to be part of the yearly budget planning that each of your client departments will do. Lend your expertise in helping them spend their dollars wisely and thus get the most from your efforts.
Third, hold company-wide seminars on marketing and design. Make them fun, interesting and informative.
Fourth, to whatever degree you are allowed, make your own department an entirely different place, where your creativity is obvious from the moment someone walks in. Fashion a place where “clients” will want to come because it looks like an independent firm: a place to get away from the routine.
In sum, treat your clients as if you had to land them yourself and as if they were free to use anybody they wanted. If you don’t, they’ll eventually end up with that freedom and you’ll be looking for a job.
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This is a GREAT article.
Timely for me reading this, as the in-house group I manage is on the brink of launching a promotional campaign to our own internal audiences. Felt a bit strange at first, since we had frustration surrounding the idea, as you put it, “we have a built-in customer, don’t we?”
Not surprisingly, have been faced with the challenge of convincing an entire organization of technical research folks who focus almost exclusively on their work product content and only marginally figure branding and their corporate messaging in their communications equation.
Balancing proving our value with a charge-back system with overcoming the "they’re just an added expense" perception has proven challenging. We have begun planning just as you outlined above, and we are hoping we can gain some ground in making our internal customers feel that handing over that charge center and making us an integral part of their budgets and plans is a "no-brainer." -
Thank you for so elegantly outlining our story.
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Outstanding article. Reading the article has provided me with some very spectacular touch points that I can use to advance my managed creatives
& internal clients. Brilliant! -
Fantastic article. Strategy suggestions brilliant. Hoping to implement some of these thoughts to my current in-house situation!
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Excellent article; lets me know we're on the right track at my major non-profit organization, where we serve over 600 clients throughout our Division. We currently have project intake systems and satisfaction surveys implemented, as well as corporate courses. We've created and reinforced a very positive perception of our creative team as a collaborative resource, resulting in a better understanding of what we do, why, and how we do it. We are beginning to reach our goal of being the preferred "design firm" of choice as well. This article is certainly on point, and these suggestions do produce very good results!
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Thanks for such a great article!
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Thank you David! Excellent article.
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Thank you. thank you. I am a young graphic designer with a huge passion for communication. I was previously working for advertising agencies and for financial reasons had to make a move into a n IT comapny that has an in-house design team. My entire time working here has been "utter hell". my main problem i sthat the IT company (CEO, departments and staff) all dont really understand who we are, what we do or even where we fit in. My biggest issue though is that there is an immense amount of work for us to do, but they just dont give it to us, choosing to seek external design firms. it drives me up the wall because from my previous experience i have been super-busy, work pilled up and this IT company has practically provided me with no work while i am here. i really like your suggestions (though im not sure how to work out the costs etc) but its such a brilliant idea. thank you so much. and obviously to this comment
>>>That's pretty stupid. Write something better.<<<<
its okay.if you dont work in an in-house design studio, we dont expect you to understand! mwwwaaach! -
Ditto all of the above comments. Very well-written article, particularly appreciate items no. 5 & 6. Looking forward to similar articles in the future. thank you!
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Many inhouse department funds and budgets are set by corporate. The creative dept doesn't have any say in the matter. This means discounts for early projects vs late arrivals doesn't or can't happen. The result; projects routinely come in late squeezing time and effort.
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This is a very useful article, since in-house departments are, in effect, small creative agencies built into organizations. They should, therefore, do business as such.
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Great Article. I passed this article onto the rest of the in-house design department I work in. Even for a tightly run, in-house group—such as this one that shall remain nameless—there are a lot of things to be approved upon.
Thanks! -
I work for an inhouse communication department. This is a great article! Thank you!
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I have been looking for this kind of article for a long time. It helps to know that many other in-house creatives face similar issues with where they fit in in the organization. I liked the tools you've provided in your article. Its given me a whole new direction to look at the relationship between our in-house creative dept. and our "clients".
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An inappropriate comment has been removed from this discussion. Please be respectful of others when posting comments in this forum.
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Wow, this is wild! I'm a student of design, and work as the in-house designer for a research/consulting department within a [different] University [than the one I attend]. I make the distinction of research/consulting because we function less like an academic institution than an independent consultant business.
As the sole member of my "department" I often feel at a loss for strength of numbers to keep our branding consistent throughout our publications. The adage "the customer is always right" pops up a lot, as my position on the totem pole is almost at the bottom, though objectively they are not always. Often my internal clients will make radical changes to the work that I do, not understanding anything about design principles, and the overall work suffers (White space? Never.). I only wish that the people in charge of the whole operation were behind me, but alas I fear I am alone. The good news is that when I graduate, and move on to bigger fish, I will have a deeper understanding of the client relationship (and in particular certain sides of it), and will have a lot to add to a different department! -
Albert, if you haven't already developed a brand standard you may want to consider doing so. I will preface this by recommending that it is imperative that the brand standard be developed with the blessing and ultimate signoff of "the people in charge" so that it has credibility/authority. In my own professional experience I have found having a brand standard in place provides me more authority to make design decisions as such decisions are in the interest of upholding and inforcing the brand standards. It is easier for someone to argue against your own subjective design taste than it is for them to argue against a brand standard approved by "those in charge". Other areas within the business world follow protocols and standards, and I have found that often people accept design choices in the context of a brand standard... it seems to make the design process more tangible, real to those outside design.
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Great article! Hits on a number of very good points, many of which I wish were put into place at my place of work. I must work my way from the inside, outwards.
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Thank you for the great article. In our situation, the changes in leadership have led to an erosion of this mindset. But it's good to know that there are ways to increase the perceived value, if there is leadership to implement this.
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A marketing plan is a written document that details the necessary actions to achieve one or more marketing objectives. It can be for a product or service, a brand, or a product line. Marketing plans cover between one and five years. A marketing plan may be part of an overall business plan. Solid marketing strategy is the foundation of a well-written marketing plan. While a marketing plan contains a list of actions, a marketing plan without a sound strategic foundation is of little use. ------------ muskan ------------ Flat Fee MLS -Flat Fee MLS
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Great article! Unfortunately, I'm a one-person design/art team (who said there's no "I" in team!) in a small publishing house.
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This indeed is a very good article and I must admit very insightful. But the ground reality is that even if you have a charge back system in place for a design department, which is more or less not the bread earner of the firm. The perdiem rates set for people working in such departments is so less, that even if one factors the project costing for a new engagement, this department costing will be overlooked since it makes a very less cost burden on the entire budgeting.
Talking about the turnaround time, mostly all jobs forwarded to such design departments are required as of yesterday. I have never come across a firm where ample time is given to create or rather do an out of the box thinking, which always require a lot of time. Keeping this aside the output which is required from any designer will be always such that it should provide the maximum impact, which generally never co-relates with the time allocated.


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