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| Monthly news and updates for AIGA
members -------------------------------------------------------------- --------------------------------------------------------------- In the past two years, AIGA’s national and chapter board members have adopted a challenging set of initiatives that we are all pursuing together to help AIGA, as an institution, serve the longer term interests of the profession. While this will guide us for the next several years, we want to use this year, the 90th, to begin to think about what kind of organization AIGA should be at its centennial in 2014. This quest involves asking and listening to all members about what role they want a professional organization to play in helping each of them achieve their professional goals over the next decade. Watch for details on participating on www.aiga.org. The value of design: explaining clearly
“What every business needs…” For ease of use, both “Why design?” and “What every business needs” are available in PDF form on the AIGA website. Any member may download them and use them in their current or modified form to integrate into proposals, with proper credit given to AIGA. National board nominations closed; balloting
to be announced next month The committee consists of members who are not on the board to make sure member interests predominate in developing the board composition. This represents the way that the organization remains accountable to members as a whole. Committee members include Maria Grillo, The Grillo Group, Chicago; Ann Harakawa, Two Twelve Associates, New York; Cheryl Heller, Heller Communications, Inc., New York; Tamera Lawrence, O2 Design, Washington, D.C.; and Tan Le, POP, Seattle. The committee will prepare a slate of five names to be approved by the professional membership via web balloting in March and early April.Considerations will include geographic region, background and training, areas of expertise, etc. The committee is charged with developing a slate that complements rather than duplicates the attributes of existing board members. A link to the ballot will be included in next month’s Communiqué. AIGA Competitions deadline: March 5 AIGA is very pleased to announce that the following have graciously agreed to serve as jurors for the competitions:
The call for entries has been posted on the AIGA website at www.aiga.org/upcomingcompetitions. Enroll in AIGA Harvard Business School
Program The course will provide you with a higher level, more comprehensive perspective on business, seeing the marketplace, its opportunities and challenges as the nation’s CEOs see them. The intent is to help experienced designers occupy comfortably the role many of you have expressed an interest in attaining—the role of strategic advisor to your clients on communication strategy, brand positioning and product or service development. It will also, undoubtedly, give you new insight into your own practice, although its purpose is not to provide personal management techniques for you to use in your studio. Attendees will leave with new perspectives on business and new confidence
in communicating with clients on their terms. Each of last year’s
participants valued the program beyond their expectations; see what they
have to say here. This will be an exciting opportunity for a significant mid-career enhancement in your skills, perspective and effectiveness. The timing is perfect for offering new services to clients as the economy rebounds. We hope you will consider it today. Visit www.aiga.org/businessperspectives for more information and an application form. In the AIGA gallery “CSA embraced the challenges inherent in the AIGA’s long, narrow space, and chose to work with the qualities of the space rather than against them. We emphasized the long floor plate by creating a series of freestanding pedestal displays, which grew taller and smaller as they receded, creating an exaggerated perspective. Aligning these elements along the far wall allowed us to free up space alongside and in between the displays for circulation. Intimate shadow boxes were integrated into the back wall to create a focal point and show off small pieces in the exhibit to their best advantage. These, coupled with interactive displays, helped pull traffic to the back of the gallery and avoid bottlenecks up front. Organizationally, we departed from the previous years’ categorical approach and mixed up categories as an editorial comment on the fact that lines between design disciplines are continually blurring. Displaying all of the entries together created visual juxtapositions among pieces, prompting viewers to find connections between unrelated works. A warm shade of red enveloped the entire exhibition—the walls, fixtures, and custom graphic flooring. The result was a cohesive transformation of the physical space, and a strong identity for the show. The red was also applied as an overarching graphic element to accompanying print communications and in an electronic teaser promotion. Leaving the tops and backs of all displays white provided a neutral background and gave the content on display strong emphasis. Large format graphics knocked out in white and an information icon system completed the look and feel of the graphics.” --------------------------------------------------------------- Another new development in Design Jobs is that AIGA members are now able to post portfolios containing samples of work, a personal statement, resumé and contact details. This feature is available to all members, whether or not you are searching for a new position. If you are actively looking, you will receive an e-mail notification when a position is posted that matches your search criteria. During normal business hours (9:00 a.m.–6:00 p.m. Eastern, Monday through Friday), dedicated telephone and e-mail customer support are available to address any questions or concerns. Visit www.aiga.org/designjobs to see these benefits for yourself! --------------------------------------------------------------- The template for the posters will be made available on the AIGA website in the April/May timeframe; any member will be able to download the template, create a design on message, then submit the design to AIGA’s “Get Out the Vote” gallery. The standard tagline for all designs will be “Design makes choices clear.” Designs must be nonpartisan and may not be offensive, but those are the only criteria against which posters will be reviewed before posting. Ownership is retained by the designer although posting the design will require providing nonexclusive rights for printing and display by anyone who chooses during 2004. See the posters from the 2000 campaign. --------------------------------------------------------------- Everything is happening faster. Products and services become commodities overnight. As companies curtail costs, R&D often takes the first hit. Reduced resources means greater pressure on both timelines and people. In this challenging environment, embedding design can make all the difference. At this year’s “Gain: AIGA Business and Design Conference,” we’ll explore how to embed design throughout your organization to drive innovation and market differentiation. You’ll see new tools, new ideas and new ways of looking at the problems that face us all. For designers, the business conversation will reveal the enormous new role design can and must play. For business leaders, the role of design, and even what is meant by design, will be completely recast. It’s a conversation you won’t want to miss. www.aiga.org/gain_conference_2004 The next National Design Conference will be held September 15–17, 2005 in Boston, Massachusetts. www.aiga.org/design_conference_2005 Formal notice of AIGA board meeting --------------------------------------------------------------- Have you had a recent change of address? Update your profile, including e-mail preferences and affiliation with communities of interest at www.aiga.org/profile. Want to know what’s going on? Check out local and national events at www.aiga.org/calendar. -------------------------------------------------------------- AIGA |
American Institute of Graphic Arts AIGA: stimulating thinking about design |
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