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Monthly news and updates for AIGA
members
February 2007
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Contents
News and information
AIGA awards 2007 Medal
to Fella, Lupton, Mau and Olden
Be a part of history. 365 AIGA
Design Competition deadline: March 2
Vote now for AIGA’s board of dirctors
Register for “Next: AIGA Design Conference”
Register for Harvard Business
School
Design opinion leaders reveal renewed confidence in business
growth
AIGA’s redesigned website is close to launch
AIGA acquires artifacts from the Gilbert Lesser collection
Denver Art Museum and AIGA seek design
curator
AIGA Atlanta program pursues diversity in the profession
Invest in young designers: 2007 Worldstudio
AIGA Scholarships
Thanks to recent contributors
to AIGA
Advocacy
President’s
budget for the arts
Unlocated Copyright Owners legislation
Copyright for designs
AIGA and designers at the United Nations
Oregon
to hire designer for election materials
www.aiga.org
Voice:
AIGA Journal of Design
Opportunities for inspiration and professional development
Schools
of Thoughts III
IIT
offers discounted Design Strategy Conference rates to members
Intent/Content
Resources
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News and information
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AIGA
awards 2007 Medal to Fella, Lupton, Mau and Olden
Edward Fella, Ellen Lupton, Bruce Mau and George Olden have been individually
awarded the AIGA Medal for 2007, the highest honor bestowed by the profession.
The four Medalists will be celebrated at the Design Legends Gala to be
held September 19 in New York City. The AIGA Medal recognizes individuals
for their distinguished achievements, services or other contributions
to the field of graphic design and visual communication. These contributions
may be made through the practice of graphic design, teaching, writing
or leadership in the profession.
Edward Fella. Eschewing design orthodoxies, Fella’s
eccentric letterforms and compositions came into full fruition in the
1980s and subsequently influenced the course of expressive typography
in the ensuing decades. A self-described “commercial artist,”
Fella began his career in Detroit’s advertising world of the 1950s
and nearly thirty years later entered graduate school at Cranbrook Academy
of Art. In the past twenty years he has been a faculty member at CalArts
where has had a profound influence on a younger generation of designers.
Ellen Lupton. Ellen Lupton established her presence in
the graphic design world in the 1980s through the trailblazing activities
of her studio, Design Writing Research, co-founded with her husband and
partner J. Abbott Miller. Lupton’s intellectual curiosity, influential
ideas, and passion for the field has found its place through her activities
as a curator of contemporary design at the Cooper Hewitt, National Design
Museum in New York, as a writer of books on typography and design, and
as director of the graduate design program at the Maryland Institute College
of Art.
Bruce Mau. Crossing disciplinary boundaries has become
the leitmotif of Bruce Mau’s eponymous design studio based in Toronto,
but whose influence in the United States and worldwide has been substantial.
Mau’s noted collaborations with leading artists, scholars, architects,
and business leaders have produced enormously diverse projects that range
from books to exhibitions, landscapes to textiles. His recent establishment
of the Institute without Boundaries—part school, part studio, part
think tank—and its inaugural project Massive Change tackles nothing
less than the design of our world.
Georg Olden. Georg Olden made his name in the 1940s and
1950s design of early television graphics. As an art director at CBS for
15 years, he led the network’s design of on-air promotions and news
graphics, creating the CBS “eye” logo. Olden later worked
at BBDO as the television group art director and was vice-president at
McCann-Erickson. However, Olden’s work in communication design extended
beyond the medium of television. He was the first African-American commissioned
by the Unites States Postal Service to design a postage stamp and was
the graphic designer to the International Secretariat at the United Nations.
He also received seven Clio awards and earned an advertising prize at
the Cannes Film Festival.
www.aiga.org/aigamedalists
Be a
part of history. 365: AIGA Design Competition deadline: March 2
Round up your finest design—AIGA’s annual competitions close
March 2.
For nearly a century, AIGA’s competitions have been among the most
prestigious in the design world. The AIGA design competitions are authoritative,
so if your work is selected, it becomes history. Through each annual selection,
AIGA creates a definitive chronicle of outstanding design solutions, each
demonstrating the process of designing, the role of the designer and the
value of design.
The entire registration procedure is online, streamlining the process
and saving you time and paperwork. All selected entries will be placed
in the AIGA Design Archives, a growing collection of exemplary design
work, and in the permanent archives of American Design History in the
Denver Art Museum.
Details for "365" and "50 Books/50 Covers"—which
both close March 2—can be found at competitions.aiga.org.
Don’t miss your chance to show off your best work—and take
your place in design history.
Vote now for AIGA’s
board of directors
A member-based nominating committee has recommended a slate of nominees
to serve on the national board for the term beginning July 2007 and ending
June 2010. The slate is now presented to the membership for voting. Balloting
will occur on the AIGA website; ballots must be cast by March
15.
The nominees are:
Sean Adams, AdamsMorioka, Los Angeles, as president;
Nikolaus Hafermaas, Art Center College of Design, Pasadena,
based on his interdisciplinary interests, educational responsibilities,
active involvement in socially responsible projects, and international
practice;
Kenna Kay, TV Land/MTV Networks, New York, based on her
involvement in education projects, branding and broadcast design;
Vernon Lockhart, Osmosis, Chicago, based on his leadership
of an inner city mentoring program in Chicago and collaboration with Organization
of Black Designers and AIGA Chicago;
Laura Shore, Mohawk, Cohoes, NY, based on her knowledge
and experience in sustainable design, strategy and links with other leaders
of the business world who share the design economy.
Consistent with the bylaws, the proposed slate is submitted to the full
professional membership for adoption. All professional members should
vote online by March 15, 2007.
If this slate does not represent the mix of professionals you believe
would best represent you, the ballot provides an opportunity to recommend
candidates for next year’s nominating committee. There is also a
place to offer your comments about the voting process.
www.aiga.org/annualballotintro
Register for
“Next: AIGA Design Conference”
Join your fellow visionaries at “Next: AIGA Design Conference.”
AIGA’s 11th biennial design conference will look toward the future—not
only to see where the design profession is going, but to set the course
we want it to take. As designers, visual thinkers and innovative creators,
we shape the future everyday. Take part in the creative playground and
unique learning environment of “Next”—to improve your
practice, connect with a diverse group of design peers, expand your way
of thinking and experience new directions in design. Hear from inspired
voices on the evolution of designing and discover what’s on the
horizon.
The meeting of minds at the AIGA Design Conference is second to none.
This October 11–14 in Denver, Colorado, home of the AIGA Design
Archives, 2,500 members and creative professionals will take inspiration
from stimulating presentations as well as participate in focused affinity
sessions with like-minded attendees, to share ideas and experiences in
areas such as practice management, sustainability, social responsibility,
design education and more.
Save $25 when you register online!
designconference.aiga.org
Register
Harvard Business School
AIGA and Harvard Business School will offer the fifth annual “Business
Perspectives for Creative Leaders,” a one-week program where experienced
designers can master business challenges from the perspective of the CEO,
their client.
Created exclusively to help design executives develop strategic design
responses to client challenges, the program is open to only 50 candidates
who will live and work in the executive housing at Harvard Business School
and learn from the school’s world-renowned faculty. Complete the
program with a stronger understanding of the management perspective and
become a more effective partner in client communication, branding and
product development strategies. This very competitive selection is based
on the qualifications and experience of candidates. The program will be
offered from July 29–August 3, 2007, at Harvard. www.aiga.org/business_perspectives
Design opinion
leaders reveal renewed confidence in business growth
To the surprise of many economists, the U.S. economy has shown sustained
growth, even in the face of burgeoning federal deficits. Consistently
strong profits among major corporations have pushed the stock market to
new highs. In the design economy, this renewed corporate confidence has
created renewed demand. This has become evident in the rising confidence
index, which has grown over the past six months, and has been corroborated
by anecdotal evidence of many studios being as busy as they have been
in a decade.
www.aiga.org/confidenceindex
AIGA’s redesigned
website is close to launch
AIGA set out more than a year ago to redesign its website to both improve
usability and to move us closer to an open source platform, to allow more
of the design community to participate in future development. With the
prodigious support of Happy Cog, our design partner, and Thirdwave, AIGA’s
technology partner for the past six years, we are now close to launch.
Expect to easily find all the information you need from AIGA online, as
well as inspiration and connections.
www.aiga.org
AIGA acquires
artifacts from the Gilbert Lesser collection
AIGA recently acquired artifacts from the Gilbert Lesser collection, including
theatrical posters from Frankenstein, Equus and The
Elephant Man; theater programs from Piaf, Poor Murderer
and The American Clock; event programs and party invitations
for Fortune, People and Life; and the mechanicals
for the catalog he designed for his 1987 exhibition of posters at the
Louvre in Paris. This valuable aquisition affords AIGA the chance to collect
rare and important examples of design history for the AdamsMorioka Archives
Vault at the AIGA National Design Center.
Gilbert Lesser was an acclaimed American designer and art director known
for his theatrical design work and who also created for the New York nightclub,
Studio 54. He was responsible for set designs and other environments not
excluding those he lived in. Lesser died in 1990 at the age of 55; his
work survives in the esteemed collection at MoMA and now AIGA. It is a
pleasure to recognize John Toland, a personal friend of Lesser, for this
generous donation.
designarchives.aiga.org
Denver Art Museum
and AIGA seek design curator
The Denver Art Museum is searching for an assistant curator, who will
be responsible for the day-to-day management of the Museum’s graphic
design collection, including the AIGA American Design Archives. The Archives
will ensure that the work of our members is protected and preserved so
that it will be appreciated for generations to come and will become part
of the first source of research on the legacy of design in this country.
The right candidate will also supervise the cataloging of the AIGA Archive,
help develop a master plan for the housing of this holding, as well as
plan long-term programs for exhibitions, publications and a series of
public programs. Anyone interested in the position should have at least
one year of museum experience and a well-rounded knowledge of the history
of modern western design. Applicants should hold a master’s degree
or Ph.D., and are encouraged to send a cover letter and résumé
to Denver Art Museum, Human Resources Administrator, 100 W 14th Avenue,
Parkway, Denver, CO 80204. For more information about the AIGA Archives
at the Denver Art Museum, visit www.aiga.org/giving_opportunities
AIGA Atlanta
program pursues diversity in the profession
On January 18, AIGA Atlanta invited members and nonmembers to participate
in “Color Blind,” an open dialogue event that explored the
AIGA initiative to encourage membership diversity and build a more inclusive
community.
The chapter organized a panel session that discussed why the graphic
design community does not “look like America.” Compared with
the U.S. population at large, African American, Latino and Hispanic designers
are significantly under-represented. According to David Laufer, AIGA Atlanta
chapter treasurer, "the ‘aha’ moment of the evening came
when the panel agreed that nobody ‘gives’ a designer equality—every
designer must earn it through high creative standards, preparation and
by treating every project as though it were one’s first big break.
Proactive diversification doesn’t mean picking a lesser talent to
achieve a quota. It just means recognizing the bigger payout awaiting
managers and clients smart enough to choose and develop vibrant and diverse
creative teams.”
“AIGA Atlanta on Diversity: Color Blind Online” blog provides
further discussion around the issues raised that evening. Visit the blog
at www.aigaatlantatalks.blogspot.com.
Podcasts related to the event will be available online soon at www.aiga-atl.org.
Moving forward, AIGA Atlanta will continue to strengthen its diversity
initiatives and welcome designers to join the community.
Contact Maria Emmighausen, maria_emmighausen@aiga.org
to join the AIGA diversity task force. To share success stories and best
practices, subscribe to the AIGA diversity mailing list at lists.aiga.org/mailman/listinfo/aiga-diversity.
Invest in young
designers: 2007 Worldstudio AIGA Scholarships
Worldstudio Foundation and AIGA provide
scholarships to minority and economically disadvantaged students who are
studying the design and arts disciplines in colleges and universities
in the United States. The scholarships aim to increase diversity in the
creative professions and to foster social and environmental responsibility
in tomorrow’s artists, designers and studios. Scholarship recipients
are selected not only for their ability and their need, but also for their
demonstrated commitment to giving back to the larger community through
their work. The application deadline is April 13, 2007. The application
is available at www.aiga.org/worldstudio_scholarship.
If you or your organization would like to offer a scholarship in your
name, the name of a colleague or that of a family member, visit the site
to learn more about how you can nurture and inspire the next generation
of design talent.
Thanks
to recent contributors to AIGA
AIGA thanks the following recent contributors:
AIGA Annual Fund
$1,000 or more
Sam Shelton and Jeff Fabian
Up to $250
Ann Christianson
Beckham Dossett
Kathryn Egnaczak
Peter Lewis
Liz Rotter
American Design Archives at the Denver Art Museum
Daniel Boyarski
Dana Lylte and Kevin Wade
Beth Murphy
Santiago Piedrafita
Worldstudio Foundation
$1,000 or more
Orit Tenzer
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Advocacy
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President’s
budget for the arts
President Bush’s FY 2008 budget called for little increase in support
for the arts overall and a reduction in some key programs. It zeroes out
the only program that supports art and design in the schools and reduces
support for public broadcasting.
| Federally funded arts programs |
FY 2006 funding
(in millions) |
President’s request
for FY 2007 (in millions) |
| NEA |
$124.41 |
$128.4 |
| NEH |
$141
|
$143 |
Office of Museum Services
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$31.8
|
$40.4 |
| Arts in Education (Department of Education) |
$35.3 |
$0 |
| CPM |
$400 |
$350 |
AIGA is a member of the Americans for the Arts advocacy coalition that
encourages increasing support for art and design in the federal budget.
For perspective, these sums are in the millions; the budget request is
for $1.9 trillion (e.g., $100 million represents 34 ten-thousandths of
one percent of the budget).
Unlocated
Copyright Owners legislation
AIGA is a member of the Imagery Alliance, a coalition of photography,
illustration and design organizations interested in protecting the rights
of the creative community. In a late-January meeting in Washington, D.C.,
the alliance shared the interests of the parties and began to develop
a legislative strategy. The legislation as introduced in the last Congress
would allow images to be used without permission or attribution if a reasonable
attempt was made to find the copyright holder before using them. The issue
at stake is what a “reasonable search” entails. AIGA is advocating
for a national registry that would allow designers to register their work.
As new legislation is introduced in this Congress, it may be necessary
to call on members to contact their representatives to help in this effort.
Copyright
for designs
AIGA has opened discussions with the Copyright Office concerning changing
current rules to the registration of groups of design by designers. A
photographer can register several thousand images under a single application
currently. AIGA will work with the Copyright Office to determine if there
is a meaningful way for designers to group their work to facilitate copyright
registration of large bodies of work with a single application.
AIGA and designers
at the United Nations
AIGA has consultatory NGO status with the UN Economic and Social Council,
a status that allows the design profession to demonstrate that its leadership
role extends beyond the visual into areas of social responsibility and
concern, globally. Typical of the opportunities for AIGA comment on UN
agenda items were the following sessions this month: Human Rights Council,
Internet Governance Forum, Commission for Social Development, Commission
on the Status of Women.
When necessary and possible, AIGA will convene working groups of members
to help formulate positions on some of these issues. Frequently, our position
can be based on the pro-social characteristics of the Universal Declaration
of Human Rights, the Millennium Development Goals, and our long-term interest
in the contribution design thinking can make in addressing social problems
in innovative ways. For more information, contact Bridget Finn, bridget_finn@aiga.org.
Oregon to hire
designer for election materials
AIGA, in partnership with the Oregon Secretary of State’s office,
is sponsoring a one-year, full-time position for a communication designer
in election design. This long-term partnership will select a new candidate
to be posted in the Secretary of State’s office each year. The candidate
selected will influence the lives of thousands of voting citizens by improving
the clarity and presentation of election materials. This Salem-based position
will also assist multiple state departments in their general communication
and design—taking on challenges few designers get the opportunity
to solve.
A candidate who holds a master’s degree in communication design,
graphic design, interaction design or related discipline is preferred.
AIGA seeks a strong designer who will be judged on his or her portfolio,
strategic thinking, organization, ability to meet deadlines, and commitment
to serving in the public sector. For more information or to submit a cover
letter and résumé, contact Kelly McLaughlin, kelly_mclaughlin@aiga.org
by March 16.
Details
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www.aiga.org
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Voice: AIGA Journal of Design
If you’re not reading Voice, you’re missing
out on engaging, thoughtful articles on design. Be sure to keep up with
an ever-growing anthology of timely interviews, essays and articles on
visual culture.
“Design Life Now: Curating the National Design Triennial”
By Ellen Lupton
How do you filter three years’ worth of design into one comprehensive
exhibition? Author and curator Lupton shares some of her insider secrets.
voice.aiga.org/content.cfm?ContentAlias=%5Fgetfullarticle&aid=2544239
“Bookatainment: An Interview with Jim Heimann”
By Steven Heller
Who wouldn’t like to track down rare and exotic design ephemera
for a living? Heller speaks to Taschen editor Heimann about his dream
job.
voice.aiga.org/content.cfm?ContentAlias=%5Fgetfullarticle&aid=2535158
Please join in the discussions and submit ideas for future issues at
voice.aiga.org.
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Opportunities for inspiration and professional
development
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Schools
of Thoughts III
What’s so graphic about graphic design? Educating in the
age of ubiquitous media
March 9-11, 2007, Pasadena
Southern California is a center for communications media: television,
film and music production, web production, video gaming and cultural spaces.
These ubiquitous industries, faced with branding concerns and ever penetrating
advertising, dramatically change the terrain that graphic designers navigate.
Discreet disciplines that generate the work—in graphic design, advertising,
interactive and motion design, environmental and exhibition design and
copywriting—seem increasingly difficult to discern. How does education
meet these challenges? How do design and other curricula teach students
to sort through the tangle of options and prepare for a career—or,
more likely, careers—within them?
Join other designers and explore the new media in relation to design education
for the third “Schools of Thoughts Graphic Design Educators”
conference at the Art Center College of Design in Pasadena, California.
Adobe, the Official Sponsor for Design Solutions, is the Presenting Sponsor
of Schools of Thoughts III.
For more information, visit www.aiga.org/schools_of_thoughts_3.
IIT offers discounted
Design Strategy Conference rates to members
The Illinois Institute of Technology (IIT) Institute of Design will hold
its Design Strategy Conference on May 17–18 in Chicago. Now in its
third year, the conference builds a strong bridge between design and business
strategy. In its new strategic partnership with AIGA, IIT makes early
registration discounts available to AIGA members.
The Design Strategy Conference is an international executive forum addressing
how businesses can use design to explore emerging opportunities, solve
complex problems and achieve lasting strategic advantage. Attendees will
hear form Chris Anderson, editor of WIRED and author of The Long Tail;
Josephine Green, Senior Director of Trends and Strategy for Philips Design;
and Hasso Plattner, co-founder of software giant SAP. Senior executives
from SK Telecom, ETS, McDonald’s and the Council on Foreign Relations
will also offer insight into the strategic advantages of design for business.
The early registration deadline is February 28; discounted rates are available
only to AIGA members and IIT alumni. For more information about the conference,
or to register, visit www.id.iit.edu/events/strategyconference/2007.
Intent/Content
Nashville, Summer 2007
Join graphic design educators and graduate students from across the country
to examine the preparation of future designers for professional practice
and scholarship.
“Intent/Content” creates, fosters and promotes dialog in design
practice, teaching, theory and writing. Participants will present current
research and teaching methods. The conference aims to raise the level
of design-driven thinking in schools in the southeast United Sates and
across the country. “Intent/Content” also endeavors to establish
and reaffirm standards for design education. Educators will discuss and
compare curricula in core courses, design fundamentals, conceptualization,
digital techniques, studio sequences, portfolio development and graduate
studies. Watch for more details at www.aiga.org/intent_content.
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Resources
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Want to renew?
www.aiga.org/renew
Have you had a recent change of address? Update your profile, including
email preferences and affiliation with communities of interest. www.aiga.org/profile
Want to know what’s going on? Check out local and national
events. www.aiga.org/calendar
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About Communiqué
This newsletter is emailed monthly to AIGA members; past issues
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