Principal and creative director: Justin Ahrens
Creative producer: Bob Davidson
Senior designers: Tim Damitz. Kerri Liu
Designer: Susan Herda, Kara Ayaram
Production designer: Dawn Bjork
Studio manager: Katrina Strich
Interns: Steve Czech, Andy Kenney, Megan Lee Earl, Kellen Scott
Additional team members:
LIfe In Abundance
Life In Abundance (LIA) is a nonprofit organization that works in several countries throughout northeast Africa. Their goal is to mobilize, train and equip local churches to implement holistic ministries that focus on the poor, orphaned and vulnerable
within their own communities. In a market with many voices, they asked us to help them stand out. We have worked with this organization since 2007, first assisting them with their strategy and process and then with their branding both here in the U.S. and
in Africa. We designed a new communication system for them that included logo and collateral, as well as ads, brochures and their annual reports. Additionally, we created two documentaries about their work in Africa and produced their first book.
Budget details unavailable
Our Rule29 team developed much more than a typical business relationship with LIA. After reading and immersing ourselves in the statistics surrounding the unbelievable poverty in sub-Saharan Africa, we knew that only a trip to Africa would do—to experience for ourselves
what the facts could merely suggest. Two documentaries, a brand overhaul, several fund-raising campaigns and a book later, we are only beginning to understand.
Because LIA’s founder and CEO wanted to keep the meaning behind the existing bird image as their logo, we researched the iconography for the main countries in Africa where the logo would appear, exploring different colors, styles and options. We read statistics
and tried to wrap our heads around what they meant: Could it really be that bad in so many areas? We wrestled with the impact these huge issues had on how we handled the brand development. Gradually, a clearer picture of the needs, the people and
the statistics emerged for us. We knew that we needed to create a bold brand, but one that was also simple, peaceful, hope-filled and usable in all countries throughout the continent. All of this needed to work in conjunction with a fundraising and communication
strategy that would convey the magnitude of the need, the existence of hope and the possibility of sustainable change.
Creating a brand for a nonprofit poses different challenges than one might encounter in less mission-driven companies. It took a lot of client interaction to develop the necessary understanding of what they were about and what they wanted to accomplish—not just in the U.S. but also in Kenya and Ethiopia. For example, their original logo, which used a bird image, didn’t communicate the help, peace and friendliness they desired (we nicknamed it the “war bird”) here in the U.S., where the majority of fundraising
would take place.
To introduce a new logo required trust and collaboration on LIA’s part as well as ours. For us, the challenge was to truly understand the culture of the Africans that LIA serves; it necessitated actually experiencing it by traveling to Africa multiple times.
On LIA’s part, they had to trust us with their story, and they gradually gained confidence that we understood the challenges of cross-cultural communication and that we “got” what they were attempting to achieve—we understood their “why.”
Our collaboration with LIA over the past five years has helped the organization grow dramatically and serve more people in more places:
In addition, we believe LIA branding is consistent and relevant both in the West and in the countries the organization servies (cross-cultural recognition and professionalism has been achieved). LIA has become a viable force that many look to as a trendsetter in faith-based community development.
For more on the work of Life in Abundance, visit their site.
Illinois Wesleyan University faculty taught courses on the topic of food, instructing students through the lens of their own discipline. Graphic design students branded the theme, providing visual, experiential and social media to enhance awareness of the course cluster on campus. Students also designed a campus movement to promote local food.
Section: Why Design -
Design for Good, advertising, design thinking, identity design, print design, posters, education, health, social issues, social responsibility
Corporate creative teams are being tapped for a wider variety of projects and a more strategic role within their organizations. So how are in-house designers rising to the challenge? The Creative Group partnered with AIGA to find out in our annual research project, the Creative Team of the Future.
Section: Inspiration -
INitiative, Professional Development, career, in-house design, professional development, collaboration, digital media
Learn more about the jurors’ thoughts on this 2013 “Justified” selection.
Section: Why Design -
Design can be a foreign concept to young students in rural
Illinois. The goal of these workshops was to introduce design concepts
and discuss employment opportunities to area middle school students. Following a presentation about design principles, the students were asked to put these principles to use, thinking about visual metaphors and creating engaging copy.
Section: Tools and Resources -
DesignEd K12, design thinking, graphic design, teaching, posters, education, design educators, students
External Resources (cont.)
VSA Partners, Inc.